Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

The next morning, I receive a text from Gabriel asking me to meet him at the Commissioner’s office. I assume that, now that we’ve briefed McKenney, Gabriel wants his boss to be up to date.

I arrive at One PP and go directly to meet up with Gabriel. His surly assistant tells me that he’s already gone to the meeting, so I head up to Calhoun Johnson’s office.

When I enter his office, Commissioner Johnson is sitting behind the desk and his number two, a guy I haven’t met before but who I remember seeing at Lauren’s funeral, is in one of the guest chairs. Off to one corner are the two other cops who were present at the meeting when we were told about Lauren’s murder—the lanky African American who is Gabriel’s boss and the short, mustachioed guy who is the Chief of D’s.

I can’t remember either of their names, and neither introduces himself to me. Drake McKenney stands off to the side, and Gabriel is leaning up against the wall. I smile at my partner, but he doesn’t return the gesture.

It’s when I see the four uniformed officers—three men, one woman—in another corner, that I realize what this meeting is actually about. There’s only one reason uniform cops would be here.

“I’m going to get right to the point, Dana,” McKenney says. “You’re under arrest for the murder of Lauren Wright.”

This must be the cue for the uniform cops. The four of them move in tandem, as if all 140 pounds of me might overpower them with any less manpower. My fight-or-flight response kicks into overdrive, but I tell myself to stay calm. Everything unfolds before me in what feels like slow motion.

One of the cops pulls a set of handcuffs from his belt and in a stern voice says, “Put your hands behind your back.”

I’m being arrested for murdering Lauren Wright. The words actually play again in my head, this time in my voice, repeating what McKenney said a moment before.

I do as directed and put my arms behind me, wrists together. One of the other cops clips the cuffs around my left hand and then my right. The handcuffs are much colder than I’d assumed they would be, and they dig uncomfortably into my wrists. If I had a free hand, I’d rub the spot where the contact is most painful, but of course I can’t.

The sole woman in the group, a Latina with long, dark hair, begins speaking. “Dana Goodwin, you have been arrested for the murder of Lauren Wright. You have the right to remain silent . . .”