Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

If she does know, Allison doesn’t raise the topic. Instead, after we’re seated, she begins the session as she always does: “How are you today?”

“Cursed,” I say.

She doesn’t recoil, which reveals that she listens to me more carefully than I’ve given her credit for. Still, she feels the need for me to provide the exposition because she says, “Tell me what you mean by that, Ella.”

“I’m assuming you know about Lauren Wright being murdered.”

“Yes. I read about it. I’m very sorry for your loss.”

“Thank you. So . . . what I’m saying is don’t get too close to me. You might end up on the murdered list too.”

Allison sniffles, the way you do when someone tells a joke that isn’t at all funny. “Is that how you feel?”

“No. I think that’s the undeniable reality. Whoever I love gets murdered. End of story.”

I know I’m laying it on thick, but I feel as if it’s my prerogative in a setting where I’m paying by the hour.

“I see,” she says, one of her prompts for me to elaborate.

“I know that the tragedy here belongs to Lauren and her family. It’s not about me. But . . . my sister was murdered six months ago, and now the woman I was closest to aside from Charlotte has been too. It’s not fair.”

“You’re right. It’s not fair,” Allison says in her soothing voice. “And I know it may feel as if it’s directed at you, but tragedies sometimes don’t space themselves out. I have many patients who’ve lost two loved ones in close succession.”

“Were your patients’ loved ones murdered?”

She smiles tautly at my challenge. “No. That’s . . . statistically speaking, very unlikely. I agree. But it still doesn’t mean you’re some meaningful common denominator in both deaths. That part is a coincidence.”

“Lucky me, I guess.”

image

When I leave Allison’s, I get on the number one train heading uptown. Even though it’s the local, I take it all the way to 155th Street, as I’m in no hurry to get to where I’m going.

I haven’t been to Charlotte’s gravesite since she was laid to rest. Given that I was just at a cemetery the other day, I’m not sure why I thought it would be beneficial to be here today. I just wanted to talk to my sister, I guess.

Everything about the grounds looks different than it did on that rainy day six months ago. Back then, I remember feeling an almost magnetic pull toward Charlotte’s open grave, but today I’m having difficulty even remembering the location of the burial plot.

I find it in the back of the cemetery. The placement seems so unfamiliar that I momentarily wonder if they’ve moved it. Ridiculous, of course.