Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

At six, Gabriel calls. He tells me that a team of cops has already been through all the surveillance footage available. It’s a goose egg. Even though every building along Park, Madison, and Fifth Avenues has security cameras, each one only films its own entryway. Anyone walking down the side streets goes undetected.

“The cameras don’t even pick up Lauren. Aside from when she leaves her building at around ten after one, she’s not seen again. And the worse news is that Richard Trofino never appears.”

“He could have left through another exit,” I say. “One without a camera.”

“I know,” he says, then sighs. “With that bit of positive news, I’m going to call it a day. Let’s meet first thing tomorrow and strategize for a bit about how to approach Trofino.”

“Sounds like a plan.”

image

I’ve now lived in New York City for nineteen years, the longest stretch I’ve spent in one place. For the first eighteen years of my life, I called suburban Virginia, right outside of DC, my home. It was a nice enough place to grow up, but boring as hell. For reasons that I still don’t understand, I chose to go to college and law school in similarly low-key environments, which meant that by the time I had my JD degree, I was more than ready for city life.

I started out in the East Village, because that was the place young professionals ended up. Back then, I called a run-down one-bedroom walk-up home. Two of us shared the bedroom, and a third paid a share of the rent to sleep on the pullout in the living room. After a few years, I wanted a place of my own but couldn’t cover the rent in Manhattan anywhere south of 110th Street. Commuting from Harlem or above didn’t make sense because I worked downtown, so I migrated to Brooklyn. First to Park Slope, and then, after Stuart and I married, we rented the garden floor of a townhouse in Carroll Gardens. Jacob’s arrival necessitated a second bedroom, and Brooklyn proved too up-and-coming for us to expand our living quarters and also pay for a regular babysitter, so we relocated to Queens—the “new Brooklyn” as it’s sometimes called in the press.

My neighborhood in Astoria is an eclectic mix of working-class families, land speculators, actor types—which is why it’s referred to as “Actoria”—and people like Stuart and me, priced out of a family home in Brooklyn or Manhattan. The broker described the place in the real-estate listing as a “jewel box,” which really just means that it’s small.