Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

In fictionalized versions of trials, they always make a point of putting homeless guys in fancy suits and giving them haircuts so that they look like bankers. In reality, that’s not very effective because it comes out pretty quickly that that’s what you’ve done and the jury feels like you’re trying to pull one over on them. On the other hand, no one wants to be in the presence of a man who hasn’t bathed in weeks. My practice has always been to have the witness shower and to launder his clothes, but otherwise not to change his appearance. That means Franklin Pearse takes the witness stand wearing clean clothing—blue jeans, a blue workman’s shirt, and a light blue windbreaker. His hair is as spiky in parts as when we first met, but it was his decision to be appear clean-shaven.

I get Pearse’s life situation out of the way at the start.

“Mr. Pearse, please tell the jury where you reside.”

“Everywhere. Anywhere.”

Pearse’s voice is steady, although low. Judge Gold asks him to lean forward and speak into the microphone.

“What does that mean?” I ask.

“I normally sleep in the park. Unless it’s too cold, and then sometimes I go to the shelter.”

“In other words, you’re homeless?”

“That’s right.”

“I want to ask you a few questions about one night in November. It’s the night you saw and heard something in Central Park. The same night the police have asked you about before. Can you please tell the jury what you saw and heard that evening?”

“Okay. I go to the park a lot at night to empty out the garbage cans for recyclables. Near the duck pond is a good spot because they have that restaurant there, and they serve soda in cans. That night I couldn’t get into the shelter because it was full, and it was really cold, so I was trying to stay awake. Anyway, I was at the garbage cans near the restaurant when I heard these two booms. Like boom, boom. Quicklike. And then I saw this person—not sure if it was a man or a woman because I only saw from the back. Wearing a black hoodie and running away.”

“How far away were you from this person?”

“Not too far, but not close either.”

“Tell us by reference to this courtroom. As close as I am to you?”

“No. Farther than that.”

“As close as the door to this courtroom?”

Pearse considers this. “Yeah. A little closer than that, I think.”