Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

“Let me get right to the point,” he says, perhaps because he too realizes that his effort at humor fell flat. “Can you find some time to meet with me today?”

“Okay . . .” I say, tentatively.

“Great. I’m going to put you down as my eleven thirty. I’ll see you then.”

I ask him what we’ll be discussing, but he doesn’t respond. When I pull the phone from my ear, I see that our call has ended.

It hardly matters. I’ve already deduced the reason Drake McKenney wants a private audience with me. It’s the only thing that the DA could be calling me about, now that the chief of his Special Victims Bureau is dead and her deputy under arrest: he wants me to run Special Vics.

I jump into the shower and blow-dry my hair straight, like I did for work back in the day. Then I pull out my lawyer clothing—a dark blue pantsuit and lighter blue silk blouse—which hasn’t been called into service for more than nine months.

Looking in the mirror, my image seems strange to me. I’m so accustomed to seeing unemployed Ella Broden—no makeup, in jeans and a T-shirt—or Cassidy, with her heavy mascara and skin-tight clothing, but not this totally put-together lawyer staring back. I haven’t seen her for a long time.

An hour later, I’m back at the District Attorney’s office for the first time since my last day as an ADA. When I left, the joke among my colleagues was that I’d be back all the time to meet with them on behalf of clients. My father’s practice, however, is nearly all federal-based, so during my three months of employment with him, I logged time in the United States Attorney’s office, talking to the prosecutors there. I didn’t have any cause to visit my old stomping grounds.

Being back at One Hogan is like returning to high school after you’ve graduated—it’s an odd feeling. I no longer belong in the place that defined me for so long. That point is made clear when I don’t even recognize the security guard—a guy who looks like he’s still in high school himself. I apparently don’t register with him either, because he asks to see my identification and instructs me to put my belongings on the conveyer belt.

“Where’s Richie?” I say, a reference to the man who had his job for at least thirty years.

“Who?”

“Richie . . . he had this job when I was an ADA.”

“When was that?”

“I left about nine months ago.”

“I’ve only been working here for three, so I don’t know.”

He hands me a blue visitor’s decal with the number eight circled. Everyone refers to the DA’s domain simply as the Eighth Floor. It’s the DA equivalent of the Oval Office.