Back Mutiny
Chapters (46)
  1. Cover
  2. Also by Phillip B. Williams
  3. Epigraph
  4. Final First Poem
  5. Of the Question of Self and How It Never Quite Gets Answered
  6. Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
  7. Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
  8. Order of Events
  9. Final Poem for a King
  10. And Now Upon My Head the Crown
  11. Tabula Rasa
  12. Final Poem for War During War
  13. Interlude: Sasa and Zamani
  14. Final Poem for Amiri Baraka
  15. The Flying African
  16. Mushmouf’s Maybe-Crown
  17. Final Poem for the Crow
  18. Final Poem for the “Black Body”
  19. January 1, 2018
  20. Final Poem as Tidalectic Elegy
  21. Herald
  22. The Field
  23. Hunter
  24. Final Poem for the Deer
  25. Final Poem as Nocturne into Aubade, or Sonrise
  26. Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
  27. Black Joy
  28. Judgment
  29. Final Poem for the Famous Poet
  30. January 28, 1918
  31. Final Poem for the Bullet
  32. “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
  33. Final Poem for the Moon
  34. The Void
  35. Final Poem for My Father Misnamed in My Mouth
  36. Final Poem for the “Field of Poetry”
  37. The Asphodel
  38. Shame
  39. Final Poem for Grandma Elizabeth’s Cancer
  40. Final Poem of Persona
  41. Mastery
  42. In the Beginning
  43. NOTES
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. What’s next onyour reading list?

“Final Poem as Tidalectic Elegy” takes its quotes, in order of appearance, from: “ ‘The Water Is Waiting’: Water Tidalectics, and Materiality” by T. Mars McDougall (Liquid Blackness, volume 3, issue 6), “Ocean” by Alice Smith (She, Rainwater Recordings, 2013), In the Wake by Christina Sharpe (Duke University Press, 2016). The italics “sunken Africans will give AIDS to the sharks” is a comment someone left on a YouTube video I watched years ago that depicted a small barge of many African migrants begging for help while being ignored by sailors on a ship, one of whom recorded that very video. The ending to section two hearkens back to Ellen Bryant Voigt’s poem “Largesse” from her book Shadow of Heaven (Norton, 2003). “Church’s” refers to the restaurant Church’s Chicken.

“January 28, 1918”—Porvenir was a small West Texas border town. The Texas Rangers of Company B (led by Captain James Monroe Fox), the Eighth U.S. Cavalry Regiment, and four Anglo-American ranchers killed fifteen men and boys there. This poem uses the NBC News article “ ‘Porvenir, Texas’ Details Massacre of Mexican Americans by U.S. Soldiers, Rangers” by Raul A. Reyes (September 27, 2019), and “Remembering the Porvenir Massacre” by Justin Minsker from the Texas Historical Commission (January 25, 2019).

“ ‘Ne Me Quitte Pas’: I Put a Spell on You: Nina Simone: 1965” is inspired by Frank Bidart and Eduardo Corral. This poem is my interpretation of the art genre “Whose sleeves?” The French is from Belgian singer-songwriter Jacques Brel’s “Ne Me Quitte Pas” (1959).

“Final Poem for the Moon” is inspired by and for Natalie Diaz.

“Final Poem for Grandma Elizabeth’s Cancer” is an acrostic.

“Mastery” is a poem that references many artworks, songs, spiritualities, literary works, and folktales. Due to the loss of my office from water damage post-fire, I lost the notebook that contained most of these allusions and nods. To the best of my ability, I will list what immediately comes to mind with deep apologies for any information I leave out:

1. The Waste Land by T. S. Eliot is referenced throughout the poem.

2. “Dixie” (1859), composed by Daniel Decatur Emmett

3. Beloved by Toni Morrison

4. The Adventures of Tom Sawyer by Mark Twain

5. “The Negro Speaks of Rivers” by Langston Hughes

6. “Her cries bleed over the dirt with a strange insistency.” —Margaret Walker

7. “Garden of Heavenly Rest” is where Zora Neale Hurston is buried.

8. “Eden’s daughter in the dust” is a nod to Julie Dash.

9. “Sweet and fresh, the sudden smell”—“Strange Fruit” (1937), composed by Abel Meeropol

10. “drapetomania”—A “disease” meant to explain why enslaved Africans ran away from slavery. See Samuel A. Cartwright for more details.

11. “Juba Dis” is from the rhyme “Juba Juba,” meant to accompany the dance pattin’ juba, aka hambone. The dance originated from enslaved Kongo peoples and consists of stomping, clapping, and patting the arms, thighs, hips, face, chest, and shoulders in intricate rhythms, mimicking drums when drums were made illegal for fear of their ability to facilitate slave revolts.