Back Meet Me Halfway
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

Why did Frank Gómez write a poem about his daughters? Why did he put it in some myth book that no one would ever read? Why didn’t he write it and send it in an email? Or even on paper, in an envelope? Why didn’t he say these words to us in person?

I rub my eyes with clenched fists. Too much dust. I slam the book shut. The sound echoes in the quiet library. “We have to go.”

Mattie nods but doesn’t move.

“Now.”

“I know.” Mattie stands up, tears in her eyes. She nods, wipes her nose with the back of her hand. Gross.

“If we want answers, we have to find him.”

“I know, I know. I’m coming.” She slings on her backpack and then picks up The Seed Sower. The animals and shapes appear and disappear on the cover. “It’s just so beautiful,” she sighs. She hugs the book to her chest. She sniffles. One tear slips down her cheek.

I glance around. The reading room is cleared out; only one student sits at a table in the back. Patricia Piper, with her weird clothes and funny hair, is nowhere to be seen. I unclench my fists and make a choice.

“Put it in your backpack,” I say, nodding at the book.

CHAPTER 29 Mattie

As we hurry across the Quad, I feel like every student reading and talking and juggling can tell that I’m a thief. Even though The Seed Sower isn’t very heavy, my backpack weighs on my back, making my shoulders ache. Or maybe it’s just the guilt.

I’ve never stolen anything in my life. Not a toy from day care, not a candy bar at a gas station, not a pen from a teacher, not even a sugar pack from a restaurant. (Okay, I borrowed Kenny’s pocketknife, but I returned it the very next day.) I imagine how the person would feel, knowing someone stole from them, and that stops me. Because I know how bad I would feel if I were missing something, if someone took something of mine.

But The Seed Sower is like a magnet and I’m the fridge. It won’t let go of me and I can’t let go of it. If it were an ordinary book, I would just write down the title and get my own copy. But Patricia Piper said it wasn’t the kind of book you could get in the United States. Not anywhere in this whole country. And it was written by Francisco Gómez. And it has a poem. A poem, I’m certain, he wrote for me. For me and Mercedes. So it’s my poem, and the poem is in the book, and doesn’t that kind of make the book mine?