Chapters (55)
- Cover
- Title Page
- Dedication
- CHAPTER 1 Mattie
- CHAPTER 2 Mercedes
- CHAPTER 3 Mattie
- CHAPTER 4 Mercedes
- CHAPTER 5 Mattie
- CHAPTER 6 Mercedes
- CHAPTER 7 Mattie
- CHAPTER 8 Mercedes
- CHAPTER 9 Mattie
- CHAPTER 10 Mercedes
- CHAPTER 11 Mattie
- CHAPTER 12 Mercedes
- CHAPTER 13 Mattie
- CHAPTER 14 Mercedes
- CHAPTER 15 Mattie
- CHAPTER 16 Mercedes
- CHAPTER 17 Mattie
- CHAPTER 18 Mercedes
- CHAPTER 19 Mattie
- CHAPTER 20 Mercedes
- CHAPTER 21 Mattie
- CHAPTER 22 Mercedes
- CHAPTER 23 Mattie
- CHAPTER 24 Mercedes
- CHAPTER 25 Mattie
- CHAPTER 26 Mercedes
- CHAPTER 27 Mattie
- CHAPTER 28 Mercedes
- CHAPTER 29 Mattie
- CHAPTER 30 Mercedes
- CHAPTER 31 Mattie
- CHAPTER 32 Mercedes
- CHAPTER 33 Mattie
- CHAPTER 34 Mercedes
- CHAPTER 35 Mattie
- CHAPTER 36 Mercedes
- CHAPTER 37 Mattie
- CHAPTER 38 Mercedes
- CHAPTER 39 Mattie
- CHAPTER 40 Mercedes
- CHAPTER 41 Mattie
- CHAPTER 42 Mercedes
- CHAPTER 43 Mattie
- CHAPTER 44 Mercedes
- CHAPTER 45 Mattie
- CHAPTER 46 Mercedes
- CHAPTER 47 Mattie
- CHAPTER 48 Mercedes
- ACKNOWLEDGMENTS
- More from the Author
- ABOUT THE AUTHOR
- ALSO BY ANIKA FAJARDO
“So, daughters of mine,” Francisco Gómez says once we’re heading south toward Santa Cruz. “Did you read my book—The Seed Sower?” He looks away from the road for a split second and pats the messenger bag on the seat beside him.
“You mean the one Mattie stole?” Mercedes says. He chuckles.
A punch of guilt hits my gut. “We read, um, some of it.”
He laughs his big guffaw again, filling his small car with the booming sound. “Well, I want to tell you a story from the book. From the Arhuaco people. Once upon a time,” he begins, “in dark times, before there was light, an Arhuaco woman gave birth to two children. Hermanos. Siblings, like you two. Twins.”
Maybe they were doppelgängers.
“These children glowed, a brilliant light shining from them. They were beautiful. Afraid that the people of her village would want to kidnap her children because of their beauty, the woman hid her children in a cave, covering the entrance with large stones. But through the cracks, the people of the village saw the light shining. It was so beautiful, they wanted to see what made this light. La luz. Do you know what la luz is?”
We both shake our heads.
“Light,” our father says. “La luz means ‘light.’ Did you know that in Spanish, when a mother gives birth to a baby, we say that she gave light? Dar luz.”
I watch the sun sparkle on the blue ocean as we speed toward home. Far off on the horizon, fog fights with the sun. “Luz,” I repeat softly. The word feels happy and safe in my mouth.
“Well,” our father continues, “the villagers came to the cave one night. They brought instruments and played music. The music was so beautiful that the brother, Yuí, couldn’t help but come out to hear it. As soon as the people saw Yuí, they tried to grab him. But he flew into the sky where he became the sun. The next night, the people returned to the cave and saw that light still glowed. Again they played beautiful music until the sister, Tima, emerged. She was so lovely. The villagers didn’t want her to get away, so they threw ashes in her face, hoping to stop her. But Tima flew into the sky in the same direction as her brother. Her face was covered in ashes, so she wasn’t as bright as the sun.”
“The moon,” Mercedes says, interrupting the story.
“Very good, Mercedes,” our dad says. The way he says it makes me wish I had guessed. “She became the moon. And at night she watches over the Arhuacos. And that’s very comforting.”
“So this Tima is just like Selene. In Greek mythology. Only a different story,” Mercedes says with a snort. “It’s all just stories.”