Back Meet Me Halfway
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

“So, daughters of mine,” Francisco Gómez says once we’re heading south toward Santa Cruz. “Did you read my book—The Seed Sower?” He looks away from the road for a split second and pats the messenger bag on the seat beside him.

“You mean the one Mattie stole?” Mercedes says. He chuckles.

A punch of guilt hits my gut. “We read, um, some of it.”

He laughs his big guffaw again, filling his small car with the booming sound. “Well, I want to tell you a story from the book. From the Arhuaco people. Once upon a time,” he begins, “in dark times, before there was light, an Arhuaco woman gave birth to two children. Hermanos. Siblings, like you two. Twins.”

Maybe they were doppelgängers.

“These children glowed, a brilliant light shining from them. They were beautiful. Afraid that the people of her village would want to kidnap her children because of their beauty, the woman hid her children in a cave, covering the entrance with large stones. But through the cracks, the people of the village saw the light shining. It was so beautiful, they wanted to see what made this light. La luz. Do you know what la luz is?”

We both shake our heads.

“Light,” our father says. “La luz means ‘light.’ Did you know that in Spanish, when a mother gives birth to a baby, we say that she gave light? Dar luz.”

I watch the sun sparkle on the blue ocean as we speed toward home. Far off on the horizon, fog fights with the sun. “Luz,” I repeat softly. The word feels happy and safe in my mouth.

“Well,” our father continues, “the villagers came to the cave one night. They brought instruments and played music. The music was so beautiful that the brother, Yuí, couldn’t help but come out to hear it. As soon as the people saw Yuí, they tried to grab him. But he flew into the sky where he became the sun. The next night, the people returned to the cave and saw that light still glowed. Again they played beautiful music until the sister, Tima, emerged. She was so lovely. The villagers didn’t want her to get away, so they threw ashes in her face, hoping to stop her. But Tima flew into the sky in the same direction as her brother. Her face was covered in ashes, so she wasn’t as bright as the sun.”

“The moon,” Mercedes says, interrupting the story.

“Very good, Mercedes,” our dad says. The way he says it makes me wish I had guessed. “She became the moon. And at night she watches over the Arhuacos. And that’s very comforting.”

“So this Tima is just like Selene. In Greek mythology. Only a different story,” Mercedes says with a snort. “It’s all just stories.”

CHAPTER 40 Mercedes