Back Meet Me Halfway Save as PDF
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

What am I doing? Performing can wait. Finding Frank Gómez can’t.

“Sorry, lady,” Mattie says. “We gotta go.” For once, I’m relieved when she grabs my arm. She pulls me through the crowd, toward the library.

CHAPTER 27 Mattie

A musty smell attacks us the moment we step inside the brown brick library. We walk past the checkout desk, where a girl with dyed-black hair and a nose ring has a thick book open on the counter. The library is a hush of quiet, especially after the noise of Mercedes’s audience. Groups of students are bent over, heads down at the tables. Constellations of dust dance silently in a beam of light shining through the high windows. No sign of a Colombian professor.

“You look that way; I’ll look this way,” I whisper. I point to the rows of books on each side of the reading room.

How will we find Francisco Gómez? Will we recognize him? In the photo on my dresser, he has scruffy black hair, light-brown skin, a wide nose. His brown eyes have flecks of amber.

We split up and pace—well, run the aisles. My backpack flaps against my back. I can picture it now. I’ll come around the end of a row of books and on the other side will be Francisco Gómez. He’ll look up from his book and see me. And then he’ll recognize me.

Like that first time I saw Mercedes. Her eyes, her nose, her hair. I didn’t know her, but I could feel something—something familiar. Francisco Gómez might not realize who I am right away, but he’ll know—deep down inside—that a thread connects us.

At least, I hope that’s how it works.

“Can I help you?”

I stop in my tracks, one foot in front of the other, and spin around. A woman with brown hair is looking at me over her glasses. She’s wearing a brown dress and brown tights and pink combat boots.

“Is there a book emergency?” she asks, and then chuckles. Her large belly jiggles when she laughs and I can’t help laughing, too. “Those happen, you know. More often than you might think.” She winks at me.

“Uh, I’m not looking for a book. I’m looking for something else.”

“Well, then, why don’t you come to the reference desk. We’ll figure it out.”

Before I can answer, she turns. Her ponytail is dyed as bright pink as her boots. She sinks into a chair behind a large wooden desk. A sign above her says: INFORMATION. This is what we need. Information. I finally feel like I’m in the right place.