Back Meet Me Halfway Save as PDF
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

As we get closer to the anthropology department, I get a strange feeling in my toes. What if Mom was right? What if he doesn’t want to meet me? What if he only wants to meet Mattie? His first daughter? I shake my head. Is this what it feels like to be Mattie? To worry about everything?

“Can I help you?”

I stop and Mattie bumps into me. Blocking our way is a woman in a green fleece jacket over a blue dress. She’s wearing striped tights and brown clogs. Hopeless fashion sense. The door from which the woman has appeared says: ANTHROPOLOGY DEPARTMENT. PLEASE KNOCK IF DOOR IS LOCKED.

“Um, hi,” I say. “Just looking for—” My voice cracks. I cough, clear my throat.

“Our brother,” Mattie says.

The woman taps her clogged foot. “Who? Do you two know where you’re going?” Her arms are full of papers. “I have to go. I’m late.”

She doesn’t wait for us to answer before she clogs away, a disastrous style blur around the corner.

“Now what?”

I shrug and continue into the maze of corridors. I can feel the nervous ball of energy behind me that is Mattie. The doors along the hallway are closed. Each one has a little plaque on it with a room number and a name. The office doors have flyers taped to them. And postcards. And sticky notes. Some have printed schedules, some have cartoons cut from magazines.

This is completely different from Mom’s office. She works in a tall glass building in San Francisco. The wall of windows in her office faces the Bay Bridge. The room is so big, it has a couch and an espresso maker and a whole conference table. Her assistant always has a bowl of M&Ms that has a little silver spoon so that you don’t touch the candies when you take some. The other people at Mom’s work are in smaller offices, but there are so many windows both into the rooms and looking out at the city. The furniture and the carpet and walls are sleek white and bright green to match her company’s logo.

This hallway of offices at Northern Madrone College is nothing like a downtown office. It’s totally depressing. There are no windows, and the only light comes from flickering bulbs over our heads. Outside some of the offices’ closed doors are chairs for people to wait. None of the chairs match—some are wooden with orange seats, some are blue plastic, and one isn’t a chair at all, just a stool with three legs.

And then, we see it.

ROOM H-122

DUPREE VISITING PROFESSOR

PROF. F. GOMEZ FLORES

All the blood in my entire body seems to rush first to my hands and then back to my brain. This is it. We are really going to meet him. What will he say? What will I say? What will Mattie say?