Back Meet Me Halfway Save as PDF
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

“Nothing.” I don’t show Mercedes the paper. Or tell her about my book. But I do slip the paper into my pocket.

We dig through the filing cabinet and scan the bookshelves. Mercedes finds a coat hanging on the back of the door and goes through the pockets. There’s a rumpled dollar bill that she gives to me. More crime.

“If only Manuel King hadn’t emptied the trash,” she says. “That’s where the mouse and rat always find clues.”

“How about these?” I scan the bookshelves. Of course, there are many books with the word “anthropology” in the titles. A stack of magazines is about to slide off the shelf. I straighten it. A book on phylogenetic analysis (whatever that is) rests precariously on the top. I pick it up and something flutters to the floor.

Mercedes drops to her knees. “Photos,” she says in a whisper.

We reach for the photos. I turn one over in my hand. It’s Francisco Gómez, looking about the same as he does in the picture I have of him. He’s standing with a woman whose white hair is cut neatly around her ears. He has his arm around her and her face wrinkles in a smile. They have the same toffeebrown skin and squinty eyes. Eyes like mine. Eyes like Mercedes’s.

“I bet that’s our grandmother,” she says, leaning over my shoulder. I feel that invisible thread connecting us.

A shiver goes up my spine. Our grandmother? My Grandma Barbara went to an assisted living home after Grandpa died. She’s forgotten a lot of things, maybe even her own daughter. We didn’t see her very often. And now that we moved, I’m not sure when we will again. “I wonder what her name is.”

“Look at this one.” Mercedes shows me another picture. This one has the same woman looking a little less wrinkled, alongside a man in a white-brimmed hat. She flips the photo over. “Mami y Papá,” she reads. “Matilde Flores and Arturo Gómez.”

We look at each other. “That’s my name.” I take the photo and flip it over again.

“That’s his parents.” Mercedes stares at the people who are our grandparents. “I never met Mom’s parents. They both died before I was born.”

“I thought I was named after Pablo Neruda’s wife. The poet. He’s a poet that my mom likes.”

“Guess you have a family name,” Mercedes says, breaking the thread.