Chapters (55)
- Cover
- Title Page
- Dedication
- CHAPTER 1 Mattie
- CHAPTER 2 Mercedes
- CHAPTER 3 Mattie
- CHAPTER 4 Mercedes
- CHAPTER 5 Mattie
- CHAPTER 6 Mercedes
- CHAPTER 7 Mattie
- CHAPTER 8 Mercedes
- CHAPTER 9 Mattie
- CHAPTER 10 Mercedes
- CHAPTER 11 Mattie
- CHAPTER 12 Mercedes
- CHAPTER 13 Mattie
- CHAPTER 14 Mercedes
- CHAPTER 15 Mattie
- CHAPTER 16 Mercedes
- CHAPTER 17 Mattie
- CHAPTER 18 Mercedes
- CHAPTER 19 Mattie
- CHAPTER 20 Mercedes
- CHAPTER 21 Mattie
- CHAPTER 22 Mercedes
- CHAPTER 23 Mattie
- CHAPTER 24 Mercedes
- CHAPTER 25 Mattie
- CHAPTER 26 Mercedes
- CHAPTER 27 Mattie
- CHAPTER 28 Mercedes
- CHAPTER 29 Mattie
- CHAPTER 30 Mercedes
- CHAPTER 31 Mattie
- CHAPTER 32 Mercedes
- CHAPTER 33 Mattie
- CHAPTER 34 Mercedes
- CHAPTER 35 Mattie
- CHAPTER 36 Mercedes
- CHAPTER 37 Mattie
- CHAPTER 38 Mercedes
- CHAPTER 39 Mattie
- CHAPTER 40 Mercedes
- CHAPTER 41 Mattie
- CHAPTER 42 Mercedes
- CHAPTER 43 Mattie
- CHAPTER 44 Mercedes
- CHAPTER 45 Mattie
- CHAPTER 46 Mercedes
- CHAPTER 47 Mattie
- CHAPTER 48 Mercedes
- ACKNOWLEDGMENTS
- More from the Author
- ABOUT THE AUTHOR
- ALSO BY ANIKA FAJARDO
“Nothing.” I don’t show Mercedes the paper. Or tell her about my book. But I do slip the paper into my pocket.
We dig through the filing cabinet and scan the bookshelves. Mercedes finds a coat hanging on the back of the door and goes through the pockets. There’s a rumpled dollar bill that she gives to me. More crime.
“If only Manuel King hadn’t emptied the trash,” she says. “That’s where the mouse and rat always find clues.”
“How about these?” I scan the bookshelves. Of course, there are many books with the word “anthropology” in the titles. A stack of magazines is about to slide off the shelf. I straighten it. A book on phylogenetic analysis (whatever that is) rests precariously on the top. I pick it up and something flutters to the floor.
Mercedes drops to her knees. “Photos,” she says in a whisper.
We reach for the photos. I turn one over in my hand. It’s Francisco Gómez, looking about the same as he does in the picture I have of him. He’s standing with a woman whose white hair is cut neatly around her ears. He has his arm around her and her face wrinkles in a smile. They have the same toffeebrown skin and squinty eyes. Eyes like mine. Eyes like Mercedes’s.
“I bet that’s our grandmother,” she says, leaning over my shoulder. I feel that invisible thread connecting us.
A shiver goes up my spine. Our grandmother? My Grandma Barbara went to an assisted living home after Grandpa died. She’s forgotten a lot of things, maybe even her own daughter. We didn’t see her very often. And now that we moved, I’m not sure when we will again. “I wonder what her name is.”
“Look at this one.” Mercedes shows me another picture. This one has the same woman looking a little less wrinkled, alongside a man in a white-brimmed hat. She flips the photo over. “Mami y Papá,” she reads. “Matilde Flores and Arturo Gómez.”
We look at each other. “That’s my name.” I take the photo and flip it over again.
“That’s his parents.” Mercedes stares at the people who are our grandparents. “I never met Mom’s parents. They both died before I was born.”
“I thought I was named after Pablo Neruda’s wife. The poet. He’s a poet that my mom likes.”
“Guess you have a family name,” Mercedes says, breaking the thread.