Back Look
Chapters (57)
  1. Cover
  2. Dedication
  3. Epigraph
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. CHAPTER FOURTEEN
  18. CHAPTER FIFTEEN
  19. CHAPTER SIXTEEN
  20. CHAPTER SEVENTEEN
  21. CHAPTER EIGHTEEN
  22. CHAPTER NINETEEN
  23. CHAPTER TWENTY
  24. CHAPTER TWENTY-ONE
  25. CHAPTER TWENTY-TWO
  26. CHAPTER TWENTY-THREE
  27. CHAPTER TWENTY-FOUR
  28. CHAPTER TWENTY-FIVE
  29. CHAPTER TWENTY-SIX
  30. CHAPTER TWENTY-SEVEN
  31. CHAPTER TWENTY-EIGHT
  32. CHAPTER TWENTY-NINE
  33. CHAPTER THIRTY
  34. CHAPTER THIRTY-ONE
  35. CHAPTER THIRTY-TWO
  36. CHAPTER THIRTY-THREE
  37. CHAPTER THIRTY-FOUR
  38. CHAPTER THIRTY-FIVE
  39. CHAPTER THIRTY-SIX
  40. CHAPTER THIRTY-SEVEN
  41. CHAPTER THIRTY-EIGHT
  42. CHAPTER THIRTY-NINE
  43. CHAPTER FORTY
  44. CHAPTER FORTY-ONE
  45. CHAPTER FORTY-TWO
  46. CHAPTER FORTY-THREE
  47. CHAPTER FORTY-FOUR
  48. CHAPTER FORTY-FIVE
  49. CHAPTER FORTY-SIX
  50. CHAPTER FORTY-SEVEN
  51. CHAPTER FORTY-EIGHT
  52. CHAPTER FORTY-NINE
  53. CHAPTER FIFTY
  54. CHAPTER FIFTY-ONE
  55. ACKNOWLEDGMENTS
  56. ABOUT THE AUTHOR
  57. What’s next onyour reading list?

“Men recognize the power of women’s beauty—and the danger in allowing them to harness it for themselves, without permission or intermediary. Beauty, Power, Danger is a podcast about the history of beautiful women in the arts, and an examination of the ways the men in their lives have sought to control their bodies, lives, and legacies for their own ends. I’m Christine L. Tompkins, and this is Beauty, Power, Danger.”

Lulu hits PAUSE. This seems like a lot for nine a.m., and especially for nine a.m. with a hangover. She’s not even sure how much it applies to her: No one is selling Lulu’s image but Lulu herself. Or does Flash technically own what she posts? She always forgets to check up on that. Either way, it’s not a problem she’s going to solve this morning.

She throws away the rest of her breakfast and goes back to sleep.

When she wakes up again, it’s early afternoon and someone is hovering uncertainly at the foot of her bed. Naomi looks like she was about to either sit down or sneak out, and Lulu happened to wake up in the middle of it.

So Nao is home from college for winter break.

Lulu’s head is so muddled that when she opens her mouth, what comes out is “No.”

“That’s how you greet your sister after months of separation?” Naomi asks. “No?”

“I’m tired!”

“That’s not surprising. This room smells like a distillery,” Naomi reports. “It smells like—a grow room. It smells like skunk, and feet, and death, Lu.”

“You know what a grow room smells like?”

Naomi ignores her. “I tried to stay up to see you last night. When the hell did you get in?”

Lulu groans and rolls onto her back. “Like, three?” she says. She’s really not in the mood for a lecture from her sister. “I’m very tired,” she says. “And hungover. And I want to be left alone.”

Usually being rude works on Naomi, but today she seems determined. “I bet you’re also hungry,” she says. “If you get up and take a shower, I can drive us to Nate and Al’s for brunch.”

Lulu’s stomach grumbles, and she remembers her gross, aborted breakfast. How likely is it that the house has grown new food in its cabinets while she was sleeping?

And what are the chances her mom will make anything remotely palatable for dinner?

Lulu sits up. “We should go grocery shopping, after, too,” she says.

“Already planning on it.”