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Chapters (69)
  1. Cover
  2. Also by Ranjit Hoskote
  3. Advance Praise for Jonahwhale
  4. Dedication
  5. I
  6. The Churchgate Gazette
  7. The Map Seller
  8. The Atlas of Lost Beliefs
  9. Seven Islands
  10. Ocean
  11. Ahab
  12. Spelling the Tide
  13. Cape Caution
  14. The Heart Fixes on Nothing
  15. And Sometimes Rivers
  16. Risk
  17. As It Emptieth It Selfe
  18. Lascar
  19. At the Belvedere
  20. Sycorax
  21. A Constantly Unfinished Instrument
  22. Night Sky and Counting
  23. Render
  24. Pompeii Mural
  25. Fly Away, Swim Closer
  26. Marine Drive
  27. Natural History
  28. Passage
  29. The Refugee Pauses in Flight
  30. Wound
  31. Redburn on Shore Leave
  32. Cargo and Ballast
  33. Baldachin
  34. Highway Prayer
  35. II
  36. Poona Traffic Shots
  37. III
  38. Philip Guston, in (Pretty Much) His Own Words
  39. Poussin’s ‘Landscape with a Man Killed by a Snake’
  40. Aperture
  41. Passepartout
  42. Printer
  43. Glass
  44. Rothko
  45. Hangman’s Song
  46. The Oracle Tree
  47. At Twenty Paces
  48. Sniper’s Drill
  49. Open for Business
  50. Rain Dance
  51. Figures on an Amphora
  52. Under the Tree of Tongues
  53. Eight Rules for Travellers to Thebes
  54. Miniature Painting
  55. Glossa
  56. Tree Line
  57. After the Story
  58. The Bungalows of South Avenue
  59. Self-Portrait as Child in the Rain
  60. Marcus Aurelius
  61. Planetarium
  62. Kushan Dawn Song
  63. Dunhuang
  64. Bactrian Drachma
  65. The Swimming Pool
  66. The Poet’s Life
  67. Notes
  68. Acknowledgements
  69. THE BEGINNING

sleep is a secret you once overheard

A history of rivers

snaking down steep slopes

walled in glass.

clay is a wisdom that leaves no fingerprints

A history of ballads

that dolphins sang about horizons

broken by microphones.

shale is a darkness you struggle to weigh

A history of drought,

gulls circling above gaunt hills,

waiting for rain to wash the words away.

words are rapids that drown us all

Passage

Ask him at four

the con man with the fancy herb

whether the shirt will still fit

the grain still stream millward

the girl still hold her balance

on the fraying rope

How to hold and frame

no, see see see

as if for the first time

the raw unpolished yellow skin

of the door the warm brick skin

of the terrace the downy cream floor

You must be alert

to coffee stain and mosquito bite

red cloud of panic on the inner arm

the river’s pulse beating in the brain

its gilded fish bursting the weir of sleep

source forgotten mouth unknown

upstream and downstream braided

one current from which the wounded dolphin leaps

slipping from this skin of water to the next

finding balance on a wave

it’s you and me both

asking who’s really native in passage

The Refugee Pauses in Flight

for Nuruddin Farah

What should I call it, this number that has no name?

Countries are working hypotheses that sometimes fail.

I escape from mine, my wings of flame

doused, my route sketched in rumours,

an alphabet of stone and diesel

tapping at my ribs.

Invented reasons, found in a drawer of mislaid knives.

Never look back, not even at the veined marble columns,

the coiling creepers, the rusty sea gate, the orange tree:

all that you thought was you.

Even the briefest glance over the shoulder

could turn you to salt on a photograph.

Pick up the key ring, slowed by its bunch of yellowed date tags.

Where to draw the borders of the occupied city?

Across brain lobes that sleep while fingers twitch

in spasms? Across tents that shiver and capsize

on a frozen beach? Across graves

on which the wild basil has grown?

Living among strangers, he almost forgot the names of his gods.

Wound

The olive trees cast shadows sharp enough to wound. I scrubbed them off my sleeves with a wet cloth. Sat down on a bench and waited for my friends to arrive, the hours so many flat stones that I aimed at the skin of a stream, watching them skip and bounce and skip and bounce and not sink. All the way across the water.