Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
sleep is a secret you once overheard
A history of rivers
snaking down steep slopes
walled in glass.
clay is a wisdom that leaves no fingerprints
A history of ballads
that dolphins sang about horizons
broken by microphones.
shale is a darkness you struggle to weigh
A history of drought,
gulls circling above gaunt hills,
waiting for rain to wash the words away.
words are rapids that drown us all
Passage
Ask him at four
the con man with the fancy herb
whether the shirt will still fit
the grain still stream millward
the girl still hold her balance
on the fraying rope
How to hold and frame
no, see see see
as if for the first time
the raw unpolished yellow skin
of the door the warm brick skin
of the terrace the downy cream floor
You must be alert
to coffee stain and mosquito bite
red cloud of panic on the inner arm
the river’s pulse beating in the brain
its gilded fish bursting the weir of sleep
source forgotten mouth unknown
upstream and downstream braided
one current from which the wounded dolphin leaps
slipping from this skin of water to the next
finding balance on a wave
it’s you and me both
asking who’s really native in passage
The Refugee Pauses in Flight
for Nuruddin Farah
What should I call it, this number that has no name?
Countries are working hypotheses that sometimes fail.
I escape from mine, my wings of flame
doused, my route sketched in rumours,
an alphabet of stone and diesel
tapping at my ribs.
Invented reasons, found in a drawer of mislaid knives.
Never look back, not even at the veined marble columns,
the coiling creepers, the rusty sea gate, the orange tree:
all that you thought was you.
Even the briefest glance over the shoulder
could turn you to salt on a photograph.
Pick up the key ring, slowed by its bunch of yellowed date tags.
Where to draw the borders of the occupied city?
Across brain lobes that sleep while fingers twitch
in spasms? Across tents that shiver and capsize
on a frozen beach? Across graves
on which the wild basil has grown?
Living among strangers, he almost forgot the names of his gods.
Wound
The olive trees cast shadows sharp enough to wound. I scrubbed them off my sleeves with a wet cloth. Sat down on a bench and waited for my friends to arrive, the hours so many flat stones that I aimed at the skin of a stream, watching them skip and bounce and skip and bounce and not sink. All the way across the water.