Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
What would you call for: splendour, catastrophe, or both?
*
Afterwards, the archipelago runs aground in bloated water, the water burns our feet.
The ribs of caulked boats scattered high on the beach.
Spangled clouds dimming in a raw trench.
You hold out your hand. The tide’s practising its roar.
*
Walk like a wave.
Without casting a shadow
on the surf, brace and reel in
the great horned fish
that has mocked and nothinged
our bait, has never been beached
on this narrow island
of what we know.
Highway Prayer
If you’re writing a fresh anthem
for the one scorched island
marooned in cyclone country,
be sure to put in a line
about burnt tyres and sleeping dogs
and another line on the flags, curtains,
TV screens, more flags, all the shrouds
the islanders are hanging up
to protect themselves from the world.
They need a saviour.
That’ll be the man in the red raincoat
falling through an open door.
An unseen hand stops him, props him up.
He blocks the door, a crucifix
barring the passage of time.
Time burns right through him.
He clutches at his burst stomach,
crouching on the sidewalk,
holding fast to the creased memory
of a river he once loved.
In him the shimmer is great,
greater than panic,
greater than the fear of flies,
of stakes, of exploding shells,
of ending up as roadkill.
Tongue-tied, he reads
this Rosetta of violence:
this highway across which
sirens call to knotted prophets,
Batmen to Jokers, Jets to Sharks.
Bless me ivories, the land pirate says
at last, shiver me timbers.
In this place that found me empty,
in this place that found me parched,
I am blood, I am grief,
I am the returning rocket,
I am contrary to the commonwealth.
Lord of the booming antlers
on a yellow signboard,
let go, he calls out, let go.
Craft me into this totality
that never closes.
II
POONA TRAFFIC SHOTS
Poona Traffic Shots
June 1991–July 2014
I.
No trench coat saves me from the scattershot rain
that pelts me as I ride pillion on a scooter
snarled in a spiral
nebula of traffic.
No helmet shields my head from the scattershot
rain as I wait my turn to be
gunned down by the militant amber
eye of the signal.
I lock my crosshairs on peepal trees
levered in the bricked-up windows
of haggard barracks that cancel out all impulse
to return volley.
So renouncing
the counter-violence of bombing runs, a monk
on Ashoka’s hyphenating missions,
I phrase my peace in tamarind seeds
and offer it to the peacocks and deer
painted on the loud wall of a park. And tabulate,
as I wait for green,
the rainfall per square inch of skin.
II.
Telegraph wires skittle wet pigeons, short-circuit
in puddled potholes.
The wheels churning below us blow up
on impact with cratered asphalt like the three worlds
on impact with Shiva’s rage.
We race, we skid, I almost rise