Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
along a buff wall rose bushes had once hidden
and looked up through the ladder’s rungs
at a lump of coal flaring in a blue-grey spoon
bent over with the rough heat it held.
Sun in my eye, the roof a milk cloud
that had stopped in its tracks.
This house
that had found me again, I thought, could do
with more than the sizzle of a welder’s torch
stitching up an iron seam, the lick
of a painter’s brush jabbing and nuzzling
at cracks in the plaster, more than cement seals
to patch cracked bricks behind the hibiscus.
Might the spiral staircase
with its gnarled garlands of Art Deco leaves,
rusty, peeling off, have been trying to speak
to the men in their dusty overalls, its cadences
white noise lost below the gushing pump,
the whine of saws, the pounding of drills?
Logos before topos, the word pushes its abstract self
before whatever the eye can open: what words
could magic this place back to me?
Might the beat of a deep-buried mineral heart
have faltered through flutes that no one could hear
above the squirrels chittering in the gulmohar,
the anvil fever of hammers? And my own ears,
stopped up against sirens but also the twanged salutes
of cotton-carders, the descants of street acrobats:
Had I heard nothing at all? Had I missed a step, or a fall?
Self-Portrait as Child in the Rain
shadows trapped in the door
rain tapping out a message on roof and branch
an ampersand of cloud
scared bird wet waiting for the others to catch up
at the finish line
Marcus Aurelius
Battle’s end. The mare sags through the rain.
The emperor weighs nothing in the saddle.
The clear, unimpeded thought
is his torch and blade:
he scorches a way
through the forest
of corpses.
Planetarium
A stupa with the night sky trapped inside, growling.
Kushan Dawn Song
Water wails through the house of bone,
leaving trails of silt in my sleep.
The weight of crumbling hills heaves down the melt,
carrying the eddying tumult of war, festive cries
and forgotten shapes of heaven.
I wade through these Blakean torrents to meet my image:
my image meets me on the steppe. Lost twin, I thought
he’d be holding out a unicorn’s horn. Look,
I’ve saved this for you. But no, instead,
a round red stone burns in his trembling palms.
Above him, cranes gather in a wheeling dance,
shuffling off the sins of antique winters:
a harvest of phantoms darkening the sky,
shot out from the veins of bursting rivers,
shaken from deep seedbeds of snow.
Set loose on the world, they wassail their hunting songs
far from their scorched pastures, in someone else’s blood.
I look at my twin. The steppe shows in patches
through his skin. His eyes are gold, his sleeves
are dripping sand. I take the stone from his fading hands
and run.
Dunhuang
For years, nothing.