Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
the worshipper the god
as any one thing of a thousand
that we are, were, might have been or be
from one to the other the eye darts
a one-legged man
struggling for balance
Glossa
the source is
in the pause
the source is
in the spring
the split wishbone
twangs in your throat
the hunter’s arrow
shatters your heel
the avalanche wind
whips the harp of shocked trees
the startled caribou pulse in waves
through river and mist
the rain has drenched you
no skin to hold the body in
you’ve found
your tongue
Tree Line
i. m. Stan Brakhage (1933–2003)
tree rings
an absent biography
litmus of lost events
a perch to gather
the rain’s drumbeats
to begin again
a sentence in dusty green
snow sutra of chained wheels
on the salt road
summer japa of crickets announcing
a delay in nightfall
song snagged in a flayed tree
its words rustling in a fugitive wind
marking the quay
from which the sun boat sails
to begin again
to lose your way
After the Story
i. m. Chandra Hoskote (1934–2015)
From the anthill came the voice
Two white birds perched on a branch,
one killed by a hunter’s arrow.
The first poem written in its blood:
the mourning sage’s sudden curse
falls on the hunter’s ear as verse.
From the anthill came the voice
Prisoner on the island of his suspicions,
alone under his white silk canopy,
he murmurs the chants that his ageing priests
heap on the fire sacrifice. Then from nowhere,
two boys’ voices, high flutes above the drone.
Dropped masks, startled faces. The boys sing
From the anthill came the voice
of the golden deer in the forest, the princess
carried off by the demon chief, the war, the siege,
the giant red monkey cartwheeling across the sky
and burning the island fortress. When the war ends,
the prince fixes his wife’s fourteen-year wait
with a cold stare and an ordeal by fire.
The fire plays honest witness.
From the anthill came the voice
But the prince cannot bridge
a distance greater than the stormy sea.
Doubt again for him, again exile for her,
love twisted and beaten on a washerman’s stone.
At last she will have had enough of his tests:
she will ask the furrowed earth to swallow her.
He stands up shaking, his eyes opened wide
as his children sing to the king his own story.
The Bungalows of South Avenue
I’d followed a bus that called itself ‘Destiny’
in large white capitals across its back windows
down a burning road in April.
We passed a scrim,
its lush palm-beach sunset trapped in a haze
shimmering above the asphalt, then rolled to a stop
where workers had squatted for a quick lunch.
A ladder leaned against the side of a house
I’d known as a child: cool mint verandahs,
lace blinds, iced tea. Now I ran my hand