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Chapters (69)
  1. Cover
  2. Also by Ranjit Hoskote
  3. Advance Praise for Jonahwhale
  4. Dedication
  5. I
  6. The Churchgate Gazette
  7. The Map Seller
  8. The Atlas of Lost Beliefs
  9. Seven Islands
  10. Ocean
  11. Ahab
  12. Spelling the Tide
  13. Cape Caution
  14. The Heart Fixes on Nothing
  15. And Sometimes Rivers
  16. Risk
  17. As It Emptieth It Selfe
  18. Lascar
  19. At the Belvedere
  20. Sycorax
  21. A Constantly Unfinished Instrument
  22. Night Sky and Counting
  23. Render
  24. Pompeii Mural
  25. Fly Away, Swim Closer
  26. Marine Drive
  27. Natural History
  28. Passage
  29. The Refugee Pauses in Flight
  30. Wound
  31. Redburn on Shore Leave
  32. Cargo and Ballast
  33. Baldachin
  34. Highway Prayer
  35. II
  36. Poona Traffic Shots
  37. III
  38. Philip Guston, in (Pretty Much) His Own Words
  39. Poussin’s ‘Landscape with a Man Killed by a Snake’
  40. Aperture
  41. Passepartout
  42. Printer
  43. Glass
  44. Rothko
  45. Hangman’s Song
  46. The Oracle Tree
  47. At Twenty Paces
  48. Sniper’s Drill
  49. Open for Business
  50. Rain Dance
  51. Figures on an Amphora
  52. Under the Tree of Tongues
  53. Eight Rules for Travellers to Thebes
  54. Miniature Painting
  55. Glossa
  56. Tree Line
  57. After the Story
  58. The Bungalows of South Avenue
  59. Self-Portrait as Child in the Rain
  60. Marcus Aurelius
  61. Planetarium
  62. Kushan Dawn Song
  63. Dunhuang
  64. Bactrian Drachma
  65. The Swimming Pool
  66. The Poet’s Life
  67. Notes
  68. Acknowledgements
  69. THE BEGINNING

the worshipper the god

as any one thing of a thousand

that we are, were, might have been or be

from one to the other the eye darts

a one-legged man

struggling for balance

Glossa

the source is

in the pause

the source is

in the spring

the split wishbone

twangs in your throat

the hunter’s arrow

shatters your heel

the avalanche wind

whips the harp of shocked trees

the startled caribou pulse in waves

through river and mist

the rain has drenched you

no skin to hold the body in

you’ve found

your tongue

Tree Line

i. m. Stan Brakhage (1933–2003)

tree rings

an absent biography

litmus of lost events

a perch to gather

the rain’s drumbeats

to begin again

a sentence in dusty green

snow sutra of chained wheels

on the salt road

summer japa of crickets announcing

a delay in nightfall

song snagged in a flayed tree

its words rustling in a fugitive wind

marking the quay

from which the sun boat sails

to begin again

to lose your way

After the Story

i. m. Chandra Hoskote (1934–2015)

From the anthill came the voice

Two white birds perched on a branch,

one killed by a hunter’s arrow.

The first poem written in its blood:

the mourning sage’s sudden curse

falls on the hunter’s ear as verse.

From the anthill came the voice

Prisoner on the island of his suspicions,

alone under his white silk canopy,

he murmurs the chants that his ageing priests

heap on the fire sacrifice. Then from nowhere,

two boys’ voices, high flutes above the drone.

Dropped masks, startled faces. The boys sing

From the anthill came the voice

of the golden deer in the forest, the princess

carried off by the demon chief, the war, the siege,

the giant red monkey cartwheeling across the sky

and burning the island fortress. When the war ends,

the prince fixes his wife’s fourteen-year wait

with a cold stare and an ordeal by fire.

The fire plays honest witness.

From the anthill came the voice

But the prince cannot bridge

a distance greater than the stormy sea.

Doubt again for him, again exile for her,

love twisted and beaten on a washerman’s stone.

At last she will have had enough of his tests:

she will ask the furrowed earth to swallow her.

He stands up shaking, his eyes opened wide

as his children sing to the king his own story.

The Bungalows of South Avenue

I’d followed a bus that called itself ‘Destiny’

in large white capitals across its back windows

down a burning road in April.

We passed a scrim,

its lush palm-beach sunset trapped in a haze

shimmering above the asphalt, then rolled to a stop

where workers had squatted for a quick lunch.

A ladder leaned against the side of a house

I’d known as a child: cool mint verandahs,

lace blinds, iced tea. Now I ran my hand