Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
Thread decays, clothes fall to pieces. Books moulder away.
Plaster cracks, timber rots,
the matting hangs in shreds. Fungus inscribes itself
on vellum bindings as the tattoo of rain on the roof
drowns out the mind’s arias.
The clouded mirror’s been my only proper companion
since Ovid and Seneca fell apart.
I’ve been reading palmleaf manuscripts with sour pandits
and picking up opium and Tamil from sallow lascars
in this pidgin district, waiting for the mailboat
to bring me the necessities:
sherry, walnuts, Trichinopoly cigars.
I have hidden in the houses of the bibis who breed
our scabby byblows, who run around the gullies
with their tow hair and improbable grey eyes:
their fortunes will be the fortunes of Homer’s sailors.
Before they indenture themselves
to war or shipwreck or sirens or mutiny,
we’ll tame the little devils, give them Greek
or Irish names, teach them a respectable tongue.
Then we’ll lop them off the family tree
and send them out on battered frigates
to fight and die for King and Country.
III.
Try mangrove instead of watercress.
Try chameleons instead of retrievers.
The earth webs your feet here, and look out
for rivers that bite.
Stone in the veins.
This country smelted from copper
and scented with mustard
has secret names that only
its lovers can nose out.
IV.
The river stabs the sea.
Water, salt and fresh, bursts up
through the splintered ribs of the scuttled boat
that’s trailed a wake of belly-up fish.
Thalassa. The compass bird points to the coast:
to a rivermouth disgorging crumbled islands,
to the tidewash that numbs the wounds
by which conquerors named it.
Trapped by the trader’s sovereign eye,
by the surveyors of revenue lands,
the purveyors of clove and camphor,
the coast signals its own tongue:
breaking with the horizon’s grammar,
a stutterance.
Lascar
Bombay–Liverpool–London, 1889
The lascar was always sallow. It didn’t help
that his name anagrammed rascal. He carried
a whiff of scurvy, a hint of rats in the hold,
hulls battered by typhoons.
He was never far from dirty work.
Here’s what the detective said:
There’s a trapdoor at the back of that opium den,
near the wharf, which could tell strange tales
of what passes through it on moonless nights.
Here’s what the good wife said:
At the foot of the stairs I met this lascar,
who thrust me back and, aided by a Dane,
pushed me out into the street.
Meanwhile her husband:
Only one man knew my secret. He was the keeper
of a low den in which I used to lodge.
A lascar, well paid by me for his rooms,
my secret was safe with him.
Neither detective nor wife nor husband knew
the bleached village on the Konkan coast,
or had seen the forced parades at tropical noon,
the forts locked in rising silt, the standing crops burned.
History gave you one name. Fear