Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
gave you and your cousins others.
To novelists: Savage.
To pamphleteers: Cannibal.
To scholars: Anthropophage.
To your captains: Seacunny, tindal,
syrang, topaze. Or mostly
as you swabbed the deck:
Cocoa-faced rascal!
You call yourself names
in the three tongues you speak in your sleep:
Lashkar. Tandel. Jahaazi.
They crowd us into the damp, shallow cradle
they call the fo’c’sle. Silly name. Phana, we call it,
phana: the hood. The wide fan-spread hood
of this coiled sea-cobra we’re sailing.
At the Belvedere
for Sandeep Parmar
The seaweed farmer from last evening
swung into the Belvedere again tonight,
this time asking for a Liverpool Gin
– citrus not watermelon, he specified
as he pulled the moonless key
to the alphabet lock
from his frayed trench pocket,
the hurricane lamps loud behind his glasses.
He dropped the key and a sand-crusted trowel
on the bar. His fingers had guttered out.
‘Let’s call it quits, shall we, mate?’
he nudged me. ‘I give up. I don’t know what
to call it, this mewling, this barking,
this mad overhead windwhack cackle of the gulls.’
Sycorax
Woke up trapped in a tree trunk,
speech slurred, though all I’d drunk
was berry-blood. It must have been the old man
with his cursed and cursing stick, which spanned
my rainbow-shored island in tight, cunning sweeps:
swamps, jungles, rivers all measured in leaps
and leached, cropped, dammed to suit his will,
the magus in his coracle, his eye fixed on the kill.
He has caged my bright-billed birds in new names,
mapped ash from his crucible across the flames
of my volcano, tamped it down. My skin is bark
on which his steaming slaves will carve his dark
memoirs of war. He will claim eternity as his own,
raise his monument on my stabbed muscles, my powdered bones.
A Constantly Unfinished Instrument
for Brian Eno
Begin with the creeper.
Follow its rustle
as it uncurls across brick, bark and thorn.
Go out in all weathers, craft a score
from the grunts and growls
that escape the world-beast in its sleep.
Stay the course until you’ve caught
the quick, true surge of the ocean
that’s felt the fire harpoon pierce its hide:
until you’ve heard the ocean flail, lash and roar
through the creeper,
heard it again, and heard it right.
Night Sky and Counting
for Teju Cole
You are in the dark
looking up at constellations and shooting stars
finding traces of adobe roofs and walls
at the eye’s radium rim while grass
tickles your back. You notice
some celestial objects move faster than others
sorting red shift from blue note
You are the samurai of wide open spaces
they scan you in their eyes you’re a ninja
betrayed by body heat you’re that grey-
glowing-to-orange smear in minutes
you could evaporate
leaving heat shadow
printed on the ground to mark the spot
You thought you were the subject the locus of consciousness