Chapters (69)
- Cover
- Also by Ranjit Hoskote
- Advance Praise for Jonahwhale
- Dedication
- I
- The Churchgate Gazette
- The Map Seller
- The Atlas of Lost Beliefs
- Seven Islands
- Ocean
- Ahab
- Spelling the Tide
- Cape Caution
- The Heart Fixes on Nothing
- And Sometimes Rivers
- Risk
- As It Emptieth It Selfe
- Lascar
- At the Belvedere
- Sycorax
- A Constantly Unfinished Instrument
- Night Sky and Counting
- Render
- Pompeii Mural
- Fly Away, Swim Closer
- Marine Drive
- Natural History
- Passage
- The Refugee Pauses in Flight
- Wound
- Redburn on Shore Leave
- Cargo and Ballast
- Baldachin
- Highway Prayer
- II
- Poona Traffic Shots
- III
- Philip Guston, in (Pretty Much) His Own Words
- Poussin’s ‘Landscape with a Man Killed by a Snake’
- Aperture
- Passepartout
- Printer
- Glass
- Rothko
- Hangman’s Song
- The Oracle Tree
- At Twenty Paces
- Sniper’s Drill
- Open for Business
- Rain Dance
- Figures on an Amphora
- Under the Tree of Tongues
- Eight Rules for Travellers to Thebes
- Miniature Painting
- Glossa
- Tree Line
- After the Story
- The Bungalows of South Avenue
- Self-Portrait as Child in the Rain
- Marcus Aurelius
- Planetarium
- Kushan Dawn Song
- Dunhuang
- Bactrian Drachma
- The Swimming Pool
- The Poet’s Life
- Notes
- Acknowledgements
- THE BEGINNING
or dancing on the roof in a mirror his grandfather saved
from a burning city whose streets were raked
by a rain of gunfire like this one.
Open for Business
Newspaper bunched in hand,
you’re misting the door with Lysol,
wiping the glass panels in wide arcs.
But the man in the blue paisley bandana
who’s whistling the opening bars
of ‘Hanv saiba poltoddi voita’
isn’t planning to get scrubbed off the menu.
He’s pushing through with a crate of eggs,
his hands itching for whisk and skillet,
the first Spanish omelette of the day.
He’s a dancer sweet-talking the boatman
into getting her across the river.
You’re a tightrope-walker with a limp, nursing
a sore throat. You spray the swinging air with soap.
Rain Dance
The dancer wilts,
her early lessons in balance
squandered.
The first rains lift her spirits.
Only much later, as she hears
the reassuring peal of thunder
and the sky empties out
cloud by cloud,
will it come to her:
lightning travels faster.
The news comes late,
the damage already done.
Figures on an Amphora
The girls of this town are dancing drunk
in festive black on the minotaur’s horns.
Their laughter garlands his thick neck
and perfumes his scored, sweating hide.
Pierced by their supple pride,
dragged in chains from his lightless maze,
seared by the baying crowd, the intended sacrifice
shifts from hoof to spurred hoof:
he shakes his scarred bronze head
to a tune from his calfhood no one else can hear.
When he opens his eyes, the song ends.
His fists clench around its closing phrase.
The first dancer feints, pirouettes, leaps at him
with a somersault: her palms strike air,
her feet find purchase
on nothing, she shrieks as the sky
dodges her grip in the torchlight.
The horned ghost doesn’t miss a beat
as she slides off his oiled, glistening back
and breaks under his dancing hooves.
Under the Tree of Tongues
there is no healing.
Eight Rules for Travellers to Thebes
Beware of babies left on hillsides with their feet pierced.
Don’t fight with old men where three roads cross.
Don’t marry a queen twice your age.
Don’t ask oracles what they mean.
Leave fallen brooches alone.
Keep a list of sanctuaries handy.
Try not to answer riddles too quickly.
The sphinx keeps the hardest questions for the end.
Miniature Painting
the worshipper as lost cloud
as woodpecker
as five-crested tree
as turmeric plume in the night sky
the god as spray of rose petals
as parrot wings sparking against rock
as the sea’s voice at first light
the worshipper
as leaf serrated by the shears of love
the god as spear point piercing the rainclouds
the god
as half-moon and starburst
as hermit lying on a deerskin at the river’s edge
the god
as pomegranate tree
the worshipper
as its bending shadow
the worshipper
as kneeling saint
the worshipper
as runaway bride