Brief, wrap-around skirts are excellent ideas. What can be wrapped in one direction can be unwrapped in the other. Such garments can be removed in a very sexy fashion. They need not be climbed out of. The female can remove it gracefully, teasingly; humbly, obediently; in tears, in despair; insolently, whipping it from her, thrusting forward her cunt, tauntingly; “I know I belong to you. I strip myself before you, your slave. You own me. Use me!” And so on.

It is important, too, not to neglect the hair. An obvious consideration here, applicable in some fantasies, is the transition from a severe, intellectual hair-do, appropriate to a man-hating blue stocking, to the wild, loose pelt of an untamed slave girl, perhaps on her hands and knees, stripped, looking up at you, in hatred, in fury, determined to resist. But she fears the whip in your hand. I personally like long, loose hair in a slave girl, exciting, uninhibited, sexy, wild, barbaric, uncivilized. I also like the feel of it on my body. Doubtless an aware slave girl uses her hair to please and stimulate her master. There could, of course, be different hair styles for different girls, and different hair styles for different statures or types of women, and in different cultures, etc. Linda, for example, might wear her hair quite differently from Vonda. Perhaps a certain kind of hair ribbon or metal barrette signifies slavery. Perhaps a house slave must braid her hair in a certain way, whereas a sex slave must wear her hair in a different fashion. Hair can be used, too, for signals. Perhaps when a slave girl wears her hair in a certain fashion, or, say, wears a certain pin in it, that is a wordless signal that she is begging for attention. The “bondage knot” might be of interest here, used in some slave cultures. Some strands of her hair, say, about a half inch, or an inch’s worth, are separated from the rest and, loosely, knotted. The knot falls at her right cheekbone. This can be used as a general mark that the female is a slave, say, in lieu of collar, or as a special mark that she, fearing to speak, desires to be used as what she is, her master’s girl. The master also, of course, could approach her, and tie this knot in her hair, she then understanding that she is to prepare herself for love, and love as a slave girl. (A certain pin or hair-do, of course, can serve as a signal between husband and wife that she desires imaginative sex that night; seeing a certain pin in her hair the husband knows then that, as their secret, perhaps even in the presence of her mother, his mother-in-law, she is telling him that she is truly, say, “Linda” or “Vonda” and is, thusly, asking him, silently, even in the presence of her mother, to serve him that night as a slave girl. I would not, incidentally, use the bondage knot for this purpose; it will provoke curiosity; it is too obvious.)