Back Imaginative Sex
Chapters (17)
  1. Cover
  2. Imaginative Sex
  3. No Fantasy, Please, We’re Americans
  4. Contents
  5. I. Imaginative Sex: The New Sexual Revolution
  6. II. Love, Hunters And Evolution
  7. III. Marriage, Sex And Normality
  8. IV. Sex And The Brain
  9. V. Marriage And The Ventilation Of Emotion
  10. VI. Privacy
  11. VII. Disease
  12. VIII. Requirements For Imaginative Sex
  13. IX. Imaginative Techniques
  14. X. Sensuous Fantasies: Recipes Of Pleasure
  15. EPILOGUE
  16. Appendix
  17. Copyright

The following two suggestions can produce exciting slave garments. (1) A rectangle of cloth is used, with a hole cut out for the head, poncho fashion. It is then thrown over her head. The sides are open. It is belted, perhaps, with a rawhide thong. Its length is up to the players. My own feeling is the shorter the better. (2) The woman makes an “inverted T garment.” It fastens behind her neck, falls before her, is gathered and drawn between her legs and behind, and then the bars of the “T” (beveled) are wrapped around and tied in front. It may also be tied across the back, this drawing it in such a way as to accentuate her breasts.

Don’t forget leotards. Perhaps you have nabbed some ten beauties at their ballet practice. Body suits are also terrific. They were clearly designed by someone interested in displaying the beauty of females. Leotards and body suits might, in many cultures, particularly of the future, in relatively automated futures, make excellent slave garments. Can’t you imagine the beauty, so clad, moving about among complicated machinery, computers and such, bringing the engineers their coffee? (Perhaps one of the computer technicians or electronics experts is a female. Perhaps her male colleagues, this being a relatively permissive planet, enslave her and force her to wear such garments while attending to her duties. It gives them pleasure to see her body; even in the future they are men. She also, of course, at a word from them, must run for their coffee, serve their pleasure, etc. Perhaps aliens attack and carry her, and others, off. Then she is, of course, only another beautiful slave girl. Doubtless she is sold, escapes, has adventures, etc.)

A common slave garment would be the brief slave tunic. Any woman can make one of these. They are sleeveless, terribly short, may be belted or not. They might have patterns or be plain. They should be, however, simple. Their very simplicity will be quite sexy.

Notice the broad hair ribbon holding back the hair of that slave girl. It can be drawn forward, and used as a blindfold. Moreover the rawhide thongs looped about her throat and loosely knotted, collarlike, or those belting her tunic, can be used for binding her, hand and foot. She carries bonds with her.

Do you like scarlet garters? Perhaps a prim Victorian girl, one of a high family, is kidnapped by young rakes and carried to their private club, near the wharves of London. Chained by the neck in her great heart-shaped bed, at their pleasure, the girl, scandalized, is given only a scarlet garter to wear. They put it on her, high on her left thigh. They then, over a period of several nights, teach her the pleasures of the senses. She becomes their wanton slave. When, the next month, they capture another wench, perhaps a rigid, but beautiful, young governess, the first girl is bound and gagged, placed in a trunk or sack, and taken, at night, to a packet, bound for the Middle East. She will be sold in an Arab slave market. The following month, of course, as a new girl is brought in, the young governess, body, mind and senses now fully readied for abject and total slavery, will follow her predecessor to an Arabian market. This is the Nineteenth Century. Lovely young white slave girls, shapely infidels, fit only to serve the faithful, do not escape the Arab world.