Chapters (54)
- Cover
- Title Page
- Copyright
- Epigraph
- Prologue
- Friday
- (Gabe Parker: Shaken, Not Stirred—Part One)
- Then
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Now
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Saturday
- (Gabe Parker: Shaken, Not Stirred—Part Two)
- Then
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Now
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Sunday
- (Gabe Parker: Shaken, Not Stirred—Part Three)
- Then
- Chapter 19
- Chapter 20
- Chapter 21
- Now
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Monday
- (Gabe Parker: Shaken, Not Stirred—Part Four)
- Then
- Chapter 28
- Now
- Chapter 29
- Chapter 30
- Dedication
- Acknowledgments
- About the Author
He’s watching someone. He’s not the only one. The whole room is watching the latest Bond girl, Jacinda Lockwood, resplendent in a wine-red gown that floats on her skin as lovingly and intimate as a nightgown. She’s dancing with someone twice her age.
Bond watches from afar, but we see his eyes up close. They’re full of longing.
Lockwood looks up from her partner’s shoulder and sees him. The dance ends and she walks off the dance floor, away from Bond.
He deposits his drink on a passing tray, and then the transformation begins. Parker walks toward her, his shoulders straightening, his hand smoothing back his hair, his glasses deposited into his pocket.
By the time he reaches her, he’s another person.
He pulls Lockwood into his arms and they drift to the dance floor. They dance closely, the whole room watching as Bond wraps his arm around her waist. His other hand traces her collarbone, and with a not-too-gentle push, she swoons backward and he dips her, long and slow, drawing a half circle with her body.
When she’s pulled back upright, she—and the rest of the room—has fallen in love with Gabe Parker’s Bond.
It’s no wonder Jacinda Lockwood married him less than a week into filming.
Now
Chapter 15
Chapter
15
I’M MAKING A TERRIBLE MISTAKE.
“I should cancel,” I say.
“Should you?” Katie asks.
She’s doing that thing that I hate.
“I should,” I say.
Katie shrugs. She’s sitting on my couch, her hair in that haphazard bun of hers—the one that always seems so effortless on her but looks like a hairy cinnamon roll whenever I attempt it. She’s reading a magazine and seems unconcerned with my dilemma. I’m fairly certain she’s waiting for me to leave so she can sage my entire apartment. According to her the vibes in here are very destructive to my well-being.
I’m pretty sure the only thing in my apartment that’s destructive to my well-being is me.
“I’m going to buy you a plant while you’re gone,” she says, still looking at her magazine. “Maybe two.”
“I’m just going to kill it,” I say. “Don’t make it a double homicide.”
“I’ll get you an un-killable plant.” She flips a page. “You need it.”
When we left New York, Katie packed up her entire—already overstuffed—apartment and had her life shipped across the continent. I shoved four boxes of books into the corner of her moving truck, filled two suitcases with clothes, and left everything else behind.
It took Katie three days to re-create her cozy, colorful bohemian home. I’ve been in my place a year and I still haven’t bought a bed frame. The couch is from the “As Is” section of Ikea, the table from my parents’ attic, and the dresser from the last person who lived here.