Chapters (54)
- Cover
- Title Page
- Copyright
- Epigraph
- Prologue
- Friday
- (Gabe Parker: Shaken, Not Stirred—Part One)
- Then
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Now
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Saturday
- (Gabe Parker: Shaken, Not Stirred—Part Two)
- Then
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Now
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Sunday
- (Gabe Parker: Shaken, Not Stirred—Part Three)
- Then
- Chapter 19
- Chapter 20
- Chapter 21
- Now
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Monday
- (Gabe Parker: Shaken, Not Stirred—Part Four)
- Then
- Chapter 28
- Now
- Chapter 29
- Chapter 30
- Dedication
- Acknowledgments
- About the Author
“I will!” I said, finger still extended. “The worst part of that list was that it was full of not-funny movies made by not-funny people. Pulp Fiction is not a comedy! And don’t even get me started on Annie Hall.”
Interest sparked in Gabe’s eyes. He leaned forward, elbows on the table, arms crossed. If I leaned forward, our noses could touch.
“Why?” he asked. “What’s wrong with Annie Hall?”
I knew I should stop talking. Instead, I took another long gulp of my drink and just kept right on going.
“Well, okay, I’ve never seen it—”
“You’ve never seen Annie Hall?” Gabe asked.
“Woody Allen sucks,” I said. “I won’t watch his movies.”
“Wow,” Gabe said. “What did he ever do to you?”
“Woody Allen is a creep,” I said, warming up to my own indignation. “He hates women. Obviously has some fucked-up obsession with girls, given that he routinely casts himself—a grown-ass man—opposite teenagers and, oh yeah, married his girlfriend’s daughter! And even if you ignored all of that—which you shouldn’t—his movies are bad and boring. They’re the same thing over and over, gross wish fulfillment where he gets to monologue about how weird and awkward he is while young blond girls fall in love with him for literally no reason at all. Plus, he hates Jewish women. He uses his movies to promote him and make himself the arbiter of Jewish humor and talent while perpetuating hateful stereotypes about how Jewish women are shrill and controlling. He’s not clever, he’s not interesting, and he’s not talented.”
There I went again. Gabe was just trying to talk about movies and I had to go off on some feminist rant about how much I hated Woody Allen (which I did).
Before I could apologize, Oliver appeared at the end of our table. His tie was loose, his top button undone, and he’d lost his vest someplace between the premiere and the after-party. He still looked devastatingly handsome.
“What are you two talking about?” he asked.
“Why Woody Allen is a piece of shit,” Gabe said.
I barely resisted putting my face in my hands. Who knew what Oliver thought about the director? Maybe he had worked with him or wanted to work with him in the future. Maybe he knew him. Or admired him. Most people loved him—or at least, they loved his work and ignored all the other stuff.
“Oh,” Oliver said.
There was a long, long pause.
“He is a piece of shit, isn’t he?”
I stared at him. It seemed I’d gone from dangerous dirtbag to trash-talking confidante with dizzying speed. Not that I was complaining.
“Shove over,” he said to Gabe, who did as requested.
After all, this was Oliver’s night.