Back Funny You Should Ask Save as PDF
Chapters (54)
  1. Cover
  2. Title Page
  3. Copyright
  4. Epigraph
  5. Prologue
  6. Friday
  7. (Gabe Parker: Shaken, Not Stirred—Part One)
  8. Then
  9. Chapter 1
  10. Chapter 2
  11. Chapter 3
  12. Chapter 4
  13. Chapter 5
  14. Chapter 6
  15. Now
  16. Chapter 7
  17. Chapter 8
  18. Chapter 9
  19. Chapter 10
  20. Saturday
  21. (Gabe Parker: Shaken, Not Stirred—Part Two)
  22. Then
  23. Chapter 11
  24. Chapter 12
  25. Chapter 13
  26. Chapter 14
  27. Now
  28. Chapter 15
  29. Chapter 16
  30. Chapter 17
  31. Chapter 18
  32. Sunday
  33. (Gabe Parker: Shaken, Not Stirred—Part Three)
  34. Then
  35. Chapter 19
  36. Chapter 20
  37. Chapter 21
  38. Now
  39. Chapter 22
  40. Chapter 23
  41. Chapter 24
  42. Chapter 25
  43. Chapter 26
  44. Chapter 27
  45. Monday
  46. (Gabe Parker: Shaken, Not Stirred—Part Four)
  47. Then
  48. Chapter 28
  49. Now
  50. Chapter 29
  51. Chapter 30
  52. Dedication
  53. Acknowledgments
  54. About the Author

“I will!” I said, finger still extended. “The worst part of that list was that it was full of not-funny movies made by not-funny people. Pulp Fiction is not a comedy! And don’t even get me started on Annie Hall.”

Interest sparked in Gabe’s eyes. He leaned forward, elbows on the table, arms crossed. If I leaned forward, our noses could touch.

“Why?” he asked. “What’s wrong with Annie Hall?”

I knew I should stop talking. Instead, I took another long gulp of my drink and just kept right on going.

“Well, okay, I’ve never seen it—”

“You’ve never seen Annie Hall?” Gabe asked.

“Woody Allen sucks,” I said. “I won’t watch his movies.”

“Wow,” Gabe said. “What did he ever do to you?”

“Woody Allen is a creep,” I said, warming up to my own indignation. “He hates women. Obviously has some fucked-up obsession with girls, given that he routinely casts himself—a grown-ass man—opposite teenagers and, oh yeah, married his girlfriend’s daughter! And even if you ignored all of that—which you shouldn’t—his movies are bad and boring. They’re the same thing over and over, gross wish fulfillment where he gets to monologue about how weird and awkward he is while young blond girls fall in love with him for literally no reason at all. Plus, he hates Jewish women. He uses his movies to promote him and make himself the arbiter of Jewish humor and talent while perpetuating hateful stereotypes about how Jewish women are shrill and controlling. He’s not clever, he’s not interesting, and he’s not talented.”

There I went again. Gabe was just trying to talk about movies and I had to go off on some feminist rant about how much I hated Woody Allen (which I did).

Before I could apologize, Oliver appeared at the end of our table. His tie was loose, his top button undone, and he’d lost his vest someplace between the premiere and the after-party. He still looked devastatingly handsome.

“What are you two talking about?” he asked.

“Why Woody Allen is a piece of shit,” Gabe said.

I barely resisted putting my face in my hands. Who knew what Oliver thought about the director? Maybe he had worked with him or wanted to work with him in the future. Maybe he knew him. Or admired him. Most people loved him—or at least, they loved his work and ignored all the other stuff.

“Oh,” Oliver said.

There was a long, long pause.

“He is a piece of shit, isn’t he?”

I stared at him. It seemed I’d gone from dangerous dirtbag to trash-talking confidante with dizzying speed. Not that I was complaining.

“Shove over,” he said to Gabe, who did as requested.

After all, this was Oliver’s night.