Back Feel Free to Scream
Chapters (82)
  1. AUTHOR’S NOTE
  2. 1. Claire
  3. CLAIRE
  4. 2. Keller
  5. KELLER
  6. 3. Claire
  7. CLAIRE
  8. 4. Claire
  9. CLAIRE
  10. 5. Claire
  11. CLAIRE
  12. 6. Keller
  13. KELLER
  14. 7. Claire
  15. CLAIRE
  16. 8. Claire
  17. CLAIRE
  18. 9. Keller
  19. KELLER
  20. 10. Claire
  21. CLAIRE
  22. 11. Claire
  23. CLAIRE
  24. 12. Claire
  25. CLAIRE
  26. 13. Claire
  27. CLAIRE
  28. 14. Claire
  29. CLAIRE
  30. 15. Claire
  31. CLAIRE
  32. 16. Claire
  33. CLAIRE
  34. 17. Claire
  35. CLAIRE
  36. 18. Claire
  37. CLAIRE
  38. 19. Keller
  39. KELLER
  40. 20. Claire
  41. CLAIRE
  42. 21. Claire
  43. CLAIRE
  44. 22. Claire
  45. CLAIRE
  46. 23. Keller
  47. KELLER
  48. 24. Claire
  49. CLAIRE
  50. 25. Claire
  51. CLAIRE
  52. 26. Claire
  53. CLAIRE
  54. 27. Claire
  55. CLAIRE
  56. 28. Claire
  57. CLAIRE
  58. 29. Claire
  59. CLAIRE
  60. 30. Claire
  61. CLAIRE
  62. 31. Claire
  63. CLAIRE
  64. 32. Keller
  65. KELLER
  66. 33. Claire
  67. CLAIRE
  68. 34. Claire
  69. CLAIRE
  70. 35. Claire
  71. CLAIRE
  72. 36. Keller
  73. KELLER
  74. 37. Claire
  75. CLAIRE
  76. 38. Claire
  77. CLAIRE
  78. 39. Keller
  79. KELLER
  80. EPILOGUE
  81. KELLER
  82. ACKNOWLEDGMENTS

Jesus, that man should come with a warning label. It shouldn’t be possible for someone to be this hot.

“Dada!”

He undoes the tie and tosses it to a side table, bending down just in time to take Octavia in his arms.

“I’m coloring the best unicorn with Claire. It looks so good! And I drew it.”

“No! You drew this? I don’t believe it. You can’t possibly have.”

This prompts Octavia to immediately restart unicorn number nine on the next page, which is good for her practice. It ends up being more anatomically correct than the first, and with a more dynamic tail.

Lisa, Arlo, and I oooh and aaah, appropriately impressed.

“Would you draw a dragon for me one day?” Arlo asks.

Octavia looks at me. “Can you show me dragons next time?”

“Absolutely. I am a dragon specialist.” I make a mental note to practice before Tuesday.

Spotting my example on the open notebook, Arlo whispers, “You’re very good. We have an artist in the house, huh?”

“Oh, no. I mean, I love to doodle, but it’s nothing serious.”

He slides my notebook forward, frowning. “It could be. I can imagine that unicorn on a collection—bedding, pillows, skirts, T-shirts, you name it. Maybe mama-daughter PJ sets. Those dreadful onesies selling crap-tons, too.”

“Language, Dada.”

Abashed, Arlo pats Octavia’s head. “Sorry, pumpkin. Dada’s thinking about work, and work makes him use bad words.” He returns his gaze to me. “Can you draw it digitally and send me a sketch? I’ll speak to Eric about designing a range.”

My jaw falls. “You’re serious?”

He shrugs. “Our brand might be well-known for the complex catwalk and Oscars gowns and the four-figure cocktail dresses, but the bulk of our money comes from the ready-to-wear retail things. Octavia models a lot of our children’s collection. The actual style of the clothing doesn’t change much, but we vary colors and prints. Good art is hard to come by—that is to say, good, unique styles that no one else can legally copy. If you’re willing to sell us the rights to some drawings, it’ll earn you a fair bit of cash. Not to mention royalties.”

“I…” I blink. “Yes. Definitely. A hundred percent.”

He smiles. “I’ll shoot you a contract next week. You can get your lawyer to look over the details.”

“Unnecessary.” Somehow, I know Arlo won’t screw me over. And even if he wanted to buy my drawing for fifty bucks, that’d be fifty bucks I didn’t have before.

“You know what I think? A family shoot. Darius, Octavia, and Claire. They’d be perfect, they’re all already so airbrushed. And, the actual artist in the shoot? Plus, Darius’s girlfriend? The fans will go crazy.” Lisa looks very self-satisfied.

“This is why you should work for me,” Arlo tells Lisa.

She laughs. “I’d murder you within a week.”