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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

Heaven is secure.

XENOPHANES

By fate, not option, frugal Nature gave

One scent to hyson and to wall-flower,

One sound to pine-groves and to waterfalls,

One aspect to the desert and the lake.

It was her stern necessity: all things

Are of one pattern made; bird, beast, and flower,

Song, picture, form, space, thought, and character,

Deceive us, seeming to be many things,

And are but one. Beheld far off, they differ

As God and devil; bring them to the mind,

They dull its edge with their monotony.

To know one element, explore another,

And in the second reappears the first.

The specious panorama of a year

But multiplies the image of a day, –

A belt of mirrors round a taper’s flame;

And universal Nature, through her vast

And crowded whole, an infinite paroquet,

Repeats one note.

THE DAY’S RATION

When I was born,

From all the seas of strength Fate filled a chalice,

Saying, ‘This be thy portion, child; this chalice,

Less than a lily’s, thou shalt daily draw

From my great arteries, – nor less, nor more.’

All substances the cunning chemist Time

Melts down into that liquor of my life, –

Friends, foes, joys, fortunes, beauty, and disgust.

And whether I am angry or content,

Indebted or insulted, loved or hurt,

All he distils into sidereal wine

And brims my little cup; heedless, alas!

Of all he sheds how little it will hold,

How much runs over on the desert sands.

If a new Muse draw me with splendid ray,

And I uplift myself into its heaven,

The needs of the first sight absorb my blood,

And all the following hours of the day

Drag a ridiculous age.

To-day, when friends approach, and every hour

Brings book, or starbright scroll of genius,

The little cup will hold not a bead more,

And all the costly liquor runs to waste;

Nor gives the jealous lord one diamond drop

So to be husbanded for poorer days.

Why need I volumes, if one word suffice?

Why need I galleries, when a pupil’s draught

After the master’s sketch fills and o’erfills

My apprehension? why seek Italy,

Who cannot circumnavigate the sea

Of thoughts and things at home, but still adjourn

The nearest matters for a thousand days?

BLIGHT

Give me truths;

For I am weary of the surfaces,

And die of inanition. If I knew

Only the herbs and simples of the wood,

Rue, cinquefoil, gill, vervain, and agrimony,

Blue-vetch, and trillium, hawkweed, sassafras,

Milkweeds, and murky brakes, quaint pipes, and sundew,

And rare and virtuous roots, which in these woods

Draw untold juices from the common earth,

Untold, unknown, and I could surely spell

Their fragrance, and their chemistry apply

By sweet affinities to human flesh,

Driving the foe and stablishing the friend, –

O, that were much, and I could be a part

Of the round day, related to the sun

And planted world, and full executor

Of their imperfect functions.

But these young scholars, who invade our hills,