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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

And as the light divided the dark

Thorough with living swords

So shalt thou pierce the distant age

With adamantine words.

* * *

When devils bite

A damned parasite

Strikes at their throat & stings them home

* * *

Comfort with a purring cat

Prosperity in a white hat

* * *

I cannot find a place so lonely

To harbour thee & me only

I cannot find a nook so deep

So sheltered may suffice to keep

The ever glowing festival

When thou & I to each are all

* * *

This shining hour is an edifice

Which the Omnipotent cannot rebuild

* * *

The sparrow is rich in her nest

The bee has her desire

The lover in his love is blest

The poet in his brain of fire

* * *

Bended to fops who bent to him

Surface with surfaces did swim

And in the fashionable crowd

None more obsequious heartless bowed

‘Sorrow! Sorrow!’ the Angels cried

‘Is this dear nature’s manly pride!

Call hither thy mortal enemy

Make him glad thy fall to see.’

* * *

Elizabeth Hoar

Almost I am tempted to essay

For sympathetic eyes the portraiture

Of the good angels that environ me.

My sister is a Greek in mind & face

And well embodies to these latest years

The truth of those high sculptors old who drew

In marble or in bronze, on vase or frieze

The perfect forms of Pallas or the Muse;

Forms in simplicity complete

And beauty of the soul disdaining art.

So bright, so positive, so much itself,

Yet so adapted to the work it wrought

It drew true love, but was complete alone.

She seemed to commune with herself, & say,

I cannot stoop to custom & the crowd,

For either I will marry with a star,

Or I will pick threads in a factory.

So perfect in her action, one would say,

She condescended if she added speech.

Her look was sympathy, & though she spoke

Better than all the rest, she did not speak

Worthy of her. She read in many books,

And loved the Greek as ’t were her mother tongue

She knew the value of the passing day

Thought it no mark of virtue to be scornful

Or cry for better company, but held

Each day a solid good; never mistook

The fashionable judgment for her own.

So keen perception that no judge or scribe

Could vie with her unerring estimate.

When through much silence & delay she spoke,

It was the Mind’s own oracle, through joy

And love of truth or beauty so perceived:

Never a poor return on self.

* * *

Cloud upon cloud

The world is a seeming,

Feigns dying, but dies not,

Corpses rise ruddy,

Follow their funerals.

Seest thou not brother

Drops hate detachment,

And atoms disorder,

How they run into plants,

And grow into beauties.

The darkness will glow,

The solitude sing

* * *

Since the devil hopping on