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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

The foe long since in silence slept;

Alike the conqueror silent sleeps;

And Time the ruined bridge has swept

Down the dark stream which seaward creeps.

On this green bank, by this soft stream,

We set to-day a votive stone;

That memory may their deed redeem,

When, like our sires, our sons are gone.

Spirit, that made those heroes dare

To die, or leave their children free,

Bid Time and Nature gently spare

The shaft we raise to them and thee.

THE SPHINX

The Sphinx is drowsy,

Her wings are furled;

Her ear is heavy,

She broods on the world.

‘Who’ll tell me my secret,

The ages have kept? –

I awaited the seer,

While they slumbered and slept; –

‘The fate of the man-child;

The meaning of man;

Known fruit of the unknown;

Dædalian plan;

Out of sleeping a waking,

Out of waking a sleep;

Life death overtaking;

Deep underneath deep?

‘Erect as a sunbeam,

Upspringeth the palm;

The elephant browses,

Undaunted and calm;

In beautiful motion

The thrush plies his wings;

Kind leaves of his covert,

Your silence he sings.

‘The waves, unashamed,

In difference sweet,

Play glad with the breezes,

Old playfellows meet;

The journeying atoms,

Primordial wholes,

Firmly draw, firmly drive,

By their animate poles.

‘Sea, earth, air, sound, silence,

Plant, quadruped, bird,

By one music enchanted,

One deity stirred, –

Each the other adorning,

Accompany still;

Night veileth the morning,

The vapor the hill.

‘The babe by its mother

Lies bathed in joy;

Glide its hours uncounted, –

The sun is its toy;

Shines the peace of all being,

Without cloud, in its eyes;

And the sum of the world

In soft miniature lies.

‘But man crouches and blushes,

Absconds and conceals;

He creepeth and peepeth,

He palters and steals;

Infirm, melancholy,

Jealous glancing around,

An oaf, an accomplice,

He poisons the ground.

‘Outspoke the great mother,

Beholding his fear; –

At the sound of her accents

Cold shuddered the sphere: –

“Who has drugged my boy’s cup?

Who has mixed my boy’s bread?

Who, with sadness and madness,

Has turned the man-child’s head?” ’

I heard a poet answer,

Aloud and cheerfully,

‘Say on, sweet Sphinx! thy dirges

Are pleasant songs to me.

Deep love lieth under

These pictures of time;

They fade in the light of

Their meaning sublime.

‘The fiend that man harries

Is love of the Best;

Yawns the pit of the Dragon,

Lit by rays from the Blest.

The Lethe of nature

Can’t trance him again,

Whose soul sees the perfect,

Which his eyes seek in vain.

‘Profounder, profounder,

Man’s spirit must dive;

To his aye-rolling orbit

No goal will arrive;

The heavens that now draw him

With sweetness untold,

Once found, – for new heavens

He spurneth the old.

‘Pride ruined the angels,

Their shame them restores;

And the joy that is sweetest

Lurks in stings of remorse.

Have I a lover

Who is noble and free? –

I would he were nobler

Than to love me.

‘Eterne alternation