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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

His eyes are bright if mine are dim

* * *

I sat upon the ground

I leaned against an ancient pine

The pleasant breeze

Shook the forest tops like waves of ocean

I felt of the trunk the gentle motion

* * *

Good Charles the spring’s adorer

True worshipper of Flora

Know’st thou the gay Rhodora

That blossoms in the May?

It blooms in dark nooks

By the wood loving brooks

And makes their twilight gay.

* * *

Around the man who seeks a noble end

Not angels but divinities attend.

* * *

In the deep heart of man a poet dwells

Who all the day of life his summer story tells

Scatters on every eye dust of his spells

Scent form & color to the flowers & shells

Wins the believing child with wondrous tales

Touches a cheek with colors of romance

And crowds a history into a glance

Gives beauty to the lake & fountain

Spies over sea the fires of the mountain

When thrushes ope their throat, ’t is he that sings

And he that paints the oriole’s fiery wings

The little Shakspeare in the maiden’s heart

Makes Romeo of a ploughboy on his cart

Opens the eye to Virtue’s starlike meed

And gives persuasion to a gentle deed.

* * *

O what are heroes prophets men

But pipes through which the breath of Pan doth blow

A momentary music. Being’s tide

Swells hitherward & myriads of forms

Live, robed with beauty, painted by the Sun:

Their dust pervaded by the nerves of God

Throbs with an overmastering energy

Knowing & doing. Ebbs the tide, they lie

White hollow shells upon the desart shore.

But not the less the eternal wave rolls on

To animate new millions, & exhale

Races & planets its enchanted foam.

* * *

Yet sometime to the sorrow stricken

Shall his own sorrow seem impertinent

A thing that takes no more root in the world

Than doth the traveller’s shadow on the rock

* * *

The Bohemian Hymn

In many forms we try

To utter God’s infinity

But the boundless hath no form

And the Universal Friend

Doth as far transcend

An angel as a worm.

The great Idea baffles wit

Language falters under it

It leaves the learned in the lurch

Nor art nor power nor toil can find

The measure of the eternal Mind

Nor hymn nor prayer nor church.

* * *

Kind & holy were the words –

O how trustingly they fell!

Music wants such sweet accords –

Sister, this thy perfect spell.

All the woman now was dropt,

All the friend came forth to me,

The beauty I had pictured oft

Was vanished utterly

Before the dearer emanation

Of undefiled affection,

Of earnest, wistful, ancient love,

With clear & liquid eye,

Older than the gods above,

Fountain of their deity.

Yet thou showed me no love

For the sake of love,

That for meaner souls was made

To whom passion is their bread.