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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

Or south, it still is clear;

Or east, it smells like a clover-farm;

Or west, no thunder fear.

The musing peasant lowly great

Beside the forest water sate;

The rope-like pine roots crosswise grown

Composed the network of his throne;

The wide lake, edged with sand and grass,

Was burnished to a floor of glass,

Painted with shadows green and proud

Of the tree and of the cloud.

He was the heart of all the scene;

On him the sun looked more serene;

To hill and cloud his face was known, –

It seemed the likeness of their own;

They knew by secret sympathy

The public child of earth and sky.

‘You ask,’ he said, ‘what guide

Me through trackless thickets led,

Through thick-stemmed woodlands rough and wide?

I found the water’s bed.

The watercourses were my guide;

I travelled grateful by their side,

Or through their channel dry;

They led me through the thicket damp,

Through brake and fern, the beavers’ camp,

Through beds of granite cut my road,

And their resistless friendship showed;

The falling waters led me,

The foodful waters fed me,

And brought me to the lowest land,

Unerring to the ocean sand.

The moss upon the forest bark

Was polestar when the night was dark;

The purple berries in the wood

Supplied me necessary food;

For Nature ever faithful is

To such as trust her faithfulness.

When the forest shall mislead me,

When the night and morning lie,

When sea and land refuse to feed me,

’Twill be time enough to die;

Then will yet my mother yield

A pillow in her greenest field,

Nor the June flowers scorn to cover

The clay of their departed lover.’

MAY-DAY

Daughter of Heaven and Earth, coy Spring,

With sudden passion languishing,

Maketh all things softly smile,

Painteth pictures mile on mile,

Holds a cup with cowslip-wreaths,

Whence a smokeless incense breathes.

Girls are peeling the sweet willow,

Poplar white, and Gilead-tree,

And troops of boys

Shouting with whoop and hilloa,

And hip, hip, three times three.

The air is full of whistlings bland;

What was that I heard

Out of the hazy land?

Harp of the wind, or song of bird,

Or clapping of shepherd’s hands,

Or vagrant booming of the air,

Voice of a meteor lost in day?

Such tidings of the starry sphere

Can this elastic air convey.

Or haply ’t was the cannonade

Of the pent and darkened lake,

Cooled by the pendent mountain’s shade,

Whose deeps, till beams of noonday break,

Afflicted moan, and latest hold

Even into May the iceberg cold.

Was it a squirrel’s pettish bark,

Or clarionet of jay? or hark,

Where yon wedged line the Nestor leads,

Steering north with raucous cry

Through tracts and provinces of sky,

Every night alighting down

In new landscapes of romance,

Where darkling feed the clamorous clans

By lonely lakes to men unknown.

Come the tumult whence it will,

Voice of sport, or rush of wings,

It is a sound, it is a token