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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

* * *

Forbore the ant hill, shunned to tread,

In mercy, on one little head

* * *

Borrow Urania’s subtile wings

Chasing with words fast-flowing things:

Cling to the sacred fact, nor try

To plant thy shrivelled pedantry

On the shoulders of the sky.

* * *

The comrade or the book is good

That puts me in a working mood:

Unless to thought be added will,

Apollo is an imbecile.

What parts, what truth, what fancies shine!

– Ah! but I miss the just design.

* * *

Is the pace of nature slow?

Why not from strength to strength

From miracle to miracle

And not as now with retardation

As with sprained foot

* * *

Why honor the new men

Who never understood the old

* * *

Think not the gods receive thy prayer

In ear & heart, but find it there.

* * *

Inspired we must forget our books,

To see the landscape’s royal looks.

* * *

Upon a rock yet uncreate

Amid a Chaos inchoate

An uncreated being sate

Beneath him rock

Above him cloud

And the cloud was rock

And the rock was cloud

The rock then growing soft & warm

The cloud began to take a form

A form chaotic vast & vague

Which issued in the cosmic egg

Then the being uncreate

Upon the egg did incubate

And thus became an incubator

And of the egg did allegate

And thus became an alligator

And the incubate was potentate

But the alligator was potentator

LONGER POEMS

WOODNOTES I

1.

For this present, hard

Is the fortune of the bard,

Born out of time;

All his accomplishment,

From Nature’s utmost treasure spent,

Booteth not him.

When the pine tosses its cones

To the song of its waterfall tones,

He speeds to the woodland walks,

To birds and trees he talks:

Cæsar of his leafy Rome,

There the poet is at home.

He goes to the river-side, –

Not hook nor line hath he;

He stands in the meadows wide, –

Nor gun nor scythe to see;

With none has he to do,

And none seek him,

Nor men below,

Nor spirits dim.

Sure some god his eye enchants:

What he knows nobody wants.

In the wood he travels glad,

Without better fortune had,

Melancholy without bad.

Planter of celestial plants,

What he knows nobody wants;

What he knows he hides, not vaunts.

Knowledge this man prizes best

Seems fantastic to the rest:

Pondering shadows, colors, clouds,

Grass-buds, and caterpillar-shrouds,

Boughs on which the wild bees settle,

Tints that spot the violets’ petal,

Why Nature loves the number five,

And why the star-form she repeats:

Lover of all things alive,

Wonderer at all he meets,

Wonderer chiefly at himself, –

Who can tell him what he is?

Or how meet in human elf

Coming and past eternities?

2.

And such I knew, a forest seer,

A minstrel of the natural year,

Foreteller of the vernal ides,

Wise harbinger of spheres and tides,