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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

There is no bard in all the choir,

Not Homer’s self, the poet sire,

Wise Milton’s odes of pensive pleasure,

Or Shakspeare, whom no mind can measure,

Nor Collins’ verse of tender pain,

Nor Byron’s clarion of disdain,

Scott, the delight of generous boys,

Or Wordsworth, Pan’s recording voice, –

Not one of all can put in verse,

Or to this presence could rehearse,

The sights and voices ravishing

The boy knew on the hills in spring,

When pacing through the oaks he heard

Sharp queries of the sentry-bird,

The heavy grouse’s sudden whir,

The rattle of the kingfisher;

Saw bonfires of the harlot flies

In the lowland, when day dies;

Or marked, benighted and forlorn,

The first far signal-fire of morn.

These syllables that Nature spoke,

And the thoughts that in him woke,

Can adequately utter none

Save to his ear the wind-harp lone.

And best can teach its Delphian chord

How Nature to the soul is moored,

If once again that silent string,

As erst it wont, would thrill and ring.

Not long ago, at eventide,

It seemed, so listening, at my side

A window rose, and, to say sooth,

I looked forth on the fields of youth:

I saw fair boys bestriding steeds,

I knew their forms in fancy weeds,

Long, long concealed by sundering fates,

Mates of my youth, – yet not my mates,

Stronger and bolder far than I,

With grace, with genius, well attired,

And then as now from far admired,

Followed with love

They knew not of,

With passion cold and shy.

O joy, for what recoveries rare!

Renewed, I breathe Elysian air,

See youth’s glad mates in earliest bloom, –

Break not my dream, obtrusive tomb!

Or teach thou, Spring! the grand recoil

Of life resurgent from the soil

Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze:

So on thy broad mystic van

Lie the opal-colored days,

And waft the miracle to man.

Soothsayer of the eldest gods,

Repairer of what harms betide,

Revealer of the inmost powers

Prometheus proffered, Jove denied;

Disclosing treasures more than true,

Or in what far to-morrow due;

Speaking by the tongues of flowers,

By the ten-tongued laurel speaking,

Singing by the oriole songs,

Heart of bird the man’s heart seeking;

Whispering hints of treasure hid

Under Morn’s unlifted lid,

Islands looming just beyond

The dim horizon’s utmost bound; –

Who can, like thee, our rags upbraid,

Or taunt us with our hope decayed?

Or who like thee persuade,

Making the splendor of the air,

The morn and sparkling dew, a snare?

Or who resent

Thy genius, wiles, and blandishment?

There is no orator prevails

To beckon or persuade

Like thee the youth or maid:

Thy birds, thy songs, thy brooks, thy gales,

Thy blooms, thy kinds,

Thy echoes in the wilderness,

Soothe pain, and age, and love’s distress,

Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate

All that high God did first create.

Be still his arm and architect,