Back Emerson Save as PDF
Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

Or on a pool of dancing chips.

I care not if the pomps you show

Be what they soothfast appear,

Or if yon realms in sunset glow

Be bubbles of the atmosphere.

And if it be to you allowed

To fool me with a shining cloud,

So only new griefs are consoled

By new delights, as old by old,

Frankly I will be your guest,

Count your change and cheer the best.

The world hath overmuch of pain, –

If Nature give me joy again,

Of such deceit I’ll not complain.’

Ah! well I mind the calendar,

Faithful through a thousand years,

Of the painted race of flowers,

Exact to days, exact to hours,

Counted on the spacious dial

Yon broidered zodiac girds.

I know the pretty almanac

Of the punctual coming-back,

On their due days, of the birds.

I marked them yestermorn,

A flock of finches darting

Beneath the crystal arch,

Piping, as they flew, a march, –

Belike the one they used in parting

Last year from yon oak or larch;

Dusky sparrows in a crowd,

Diving, darting northward free,

Suddenly betook them all,

Every one to his hole in the wall,

Or to his niche in the apple-tree.

I greet with joy the choral trains

Fresh from palms and Cuba’s canes.

Best gems of Nature’s cabinet,

With dews of tropic morning wet,

Beloved of children, bards, and Spring,

O birds, your perfect virtues bring,

Your song, your forms, your rhythmic flight,

Your manners for the heart’s delight,

Nestle in hedge, or barn, or roof,

Here weave your chamber weather-proof,

Forgive our harms, and condescend

To man, as to a lubber friend,

And, generous, teach his awkward race

Courage, and probity, and grace!

Poets praise that hidden wine

Hid in milk we drew

At the barrier of Time,

When our life was new.

We had eaten fairy fruit,

We were quick from head to foot,

All the forms we looked on shone

As with diamond dews thereon.

What cared we for costly joys,

The Museum’s far-fetched toys?

Gleam of sunshine on the wall

Poured a deeper cheer than all

The revels of the Carnival.

We a pine-grove did prefer

To a marble theatre,

Could with gods on mallows dine,

Nor cared for spices or for wine.

Wreaths of mist and rainbow spanned,

Arch on arch, the grimmest land;

Whistle of a woodland bird

Made the pulses dance,

Note of horn in valleys heard

Filled the region with romance.

None can tell how sweet,

How virtuous, the morning air;

Every accent vibrates well;

Not alone the wood-bird’s call,

Or shouting boys that chase their ball,

Pass the height of minstrel skill,

But the ploughman’s thoughtless cry,

Lowing oxen, sheep that bleat,

And the joiner’s hammer-beat,

Softened are above their will.

All grating discords melt,

No dissonant note is dealt,

And though thy voice be shrill

Like rasping file on steel,

Such is the temper of the air,

Echo waits with art and care,

And will the faults of song repair.