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Contents ( 91)
  1. CONTENTS
  2. From POEMS (1847)
  3. THE RHODORA On Being Asked, Whence Is the Flower?
  4. THE HUMBLE-BEE
  5. FABLE
  6. ASTRÆA
  7. ETIENNE DE LA BOÉCE
  8. SUUM CUIQUE
  9. COMPENSATION
  10. FORBEARANCE
  11. BERRYING
  12. THINE EYES STILL SHINED
  13. EROS
  14. LOSS AND GAIN
  15. HAMATREYA
  16. EARTH-SONG
  17. THE SNOW-STORM
  18. PAINTING AND SCULPTURE
  19. HOLIDAYS
  20. FROM THE PERSIAN OF HAFIZ
  21. GHASELLE from the Persian of Hafiz
  22. XENOPHANES
  23. THE DAY’S RATION
  24. BLIGHT
  25. MUSKETAQUID
  26. HYMN Sung at the Completion of the Concord Monument, April 19, 1836
  27. THE SPHINX
  28. EACH AND ALL
  29. THE PROBLEM
  30. TO RHEA
  31. THE VISIT
  32. URIEL
  33. THE WORLD-SOUL
  34. From MAY-DAY AND OTHER PIECES (1867)
  35. BRAHMA
  36. NEMESIS
  37. FATE
  38. FREEDOM
  39. ODE SUNG IN THE TOWN HALL Concord, July 4, 1857
  40. BOSTON HYMN Read in Music Hall, January 1, 1863
  41. LOVE AND THOUGHT
  42. LOVER’S PETITION
  43. UNA
  44. LETTERS
  45. RUBIES
  46. MERLIN’S SONG
  47. THE TEST (Musa loquitur)
  48. NATURE
  49. NATURE
  50. THE ROMANY GIRL
  51. MY GARDEN
  52. THE TITMOUSE
  53. DAYS
  54. SEA–SHORE
  55. TWO RIVERS
  56. WALDEINSAMKEIT
  57. TERMINUS
  58. THE PAST
  59. EXPERIENCE
  60. COMPENSATION
  61. CULTURE
  62. POLITICS
  63. HEROISM
  64. CHARACTER
  65. FRIENDSHIP
  66. BEAUTY
  67. MANNERS
  68. ART
  69. SPIRITUAL LAWS
  70. UNITY
  71. WORSHIP
  72. QUATRAINS
  73. From SELECTED POEMS (1876)
  74. THE NUN’S ASPIRATION
  75. CUPIDO
  76. BOSTON Sicut patribus, sit Deus nobis
  77. SILENCE
  78. THE THREE DIMENSIONS
  79. MOTTO TO ‘THE POET’
  80. MOTTO TO ‘GIFTS’
  81. MOTTO TO ‘NATURE’
  82. MOTTO TO ‘NOMINALIST AND REALIST’
  83. MOTTO TO ‘HISTORY’
  84. SOUTH WIND
  85. From THE UNPUBLISHED POEMS
  86. SONG Tune ‘Scots wha hae wi’ Wallace bled’
  87. LONGER POEMS
  88. WOODNOTES I
  89. MAY-DAY
  90. THE ADIRONDACS A Journal
  91. From The Poet

Beset his solitude.

He looketh seldom in their face,

His eyes explore the ground, –

The green grass is a looking-glass

Whereon their traits are found.

Little and less he says to them,

So dances his heart in his breast;

Their tranquil mien bereaveth him

Of wit, of words, of rest.

Too weak to win, too fond to shun

The tyrants of his doom,

The much deceived Endymion

Slips behind a tomb.

ART

Give to barrows, trays, and pans

Grace and glimmer of romance;

Bring the moonlight into noon

Hid in gleaming piles of stone;

On the city’s paved street

Plant gardens lined with lilacs sweet;

Let spouting fountains cool the air,

Singing in the sun-baked square;

Let statue, picture, park, and hall,

Ballad, flag, and festival,

The past restore, the day adorn,

And make to-morrow a new morn.

So shall the drudge in dusty frock

Spy behind the city clock

Retinues of airy kings,

Skirts of angels, starry wings,

His fathers shining in bright fables,

His children fed at heavenly tables.

’Tis the privilege of Art

Thus to play its cheerful part,

Man on earth to acclimate,

And bend the exile to his fate,

And, moulded of one element

With the days and firmament,

Teach him on these as stairs to climb,

And live on even terms with Time;

Whilst upper life the slender rill

Of human sense doth overfill.

SPIRITUAL LAWS

The living Heaven thy prayers respect,

House at once and architect,

Quarrying man’s rejected hours,

Builds therewith eternal towers;

Sole and self-commanded works,

Fears not undermining days,

Grows by decays,

And, by the famous might that lurks

In reaction and recoil,

Makes flame to freeze, and ice to boil;

Forging, through swart arms of Offence,

The silver seat of Innocence.

UNITY

Space is ample, east and west,

But two cannot go abreast,

Cannot travel in it two:

Yonder masterful cuckoo

Crowds every egg out of the nest,

Quick or dead, except its own;

A spell is laid on sod and stone,

Night and Day were tampered with,

Every quality and pith

Surcharged and sultry with a power

That works its will on age and hour.

WORSHIP

This is he, who, felled by foes,

Sprung harmless up, refreshed by blows:

He to captivity was sold,

But him no prison-bars would hold:

Though they sealed him in a rock,

Mountain chains he can unlock:

Thrown to lions for their meat,

The crouching lion kissed his feet:

Bound to the stake, no flames appalled,

But arched o’er him an honoring vault.

This is he men miscall Fate,

Threading dark ways, arriving late,

But ever coming in time to crown

The truth, and hurl wrong-doers down.

He is the oldest, and best known,

More near than aught thou call’st thy own,

Yet, greeted in another’s eyes,

Disconcerts with glad surprise.

This is Jove, who, deaf to prayers,

Floods with blessings unawares.

Draw, if thou canst, the mystic line

Severing rightly his from thine,

Which is human, which divine.

QUATRAINS

S.H.

With beams December planets dart