Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
The whispering, the mumbling, continued in a matter-of-fact way, without emotion, and this convinced him to investigate. He roused himself from bed, put on jeans and a sweater, and taking up the ax on the wall—a monstrous and unwieldy pendulum—he padded up the stairs in his bare feet.
The steps were cold and the spiral dark, but he didn’t want to risk turning on the lights in case a real intruder waited above. At the landing, the moon shone in at an angle, making the chairs there, the table, look like angular creatures frozen by its glow. He paused, listening. The waves below, their soft hush, stitched through with the sudden chatter of bats, close and then gone, as their echolocation pushed them away from the lighthouse walls. There should have been a hum in the background, too, a kind of purr from above, but he could not hear it. Which meant no light shot out across twenty miles to guide the ships.
He continued up as fast as he could, fueled by an anger that cut through the haze of his sickness, wanted confrontation. And he said unto me, My grace is sufficient for thee: for my strength is made perfect in weakness.
When he barged into the lantern room, it was to the sight of the blue-black sky filled with stars—and to three figures, two standing, one bent over in front of the extinguished lens. All three holding tiny flashlights, the pinpricks of that illumination only intensifying his sense of their guilt, their complicity, but in what?
All three were staring at him.
He raised his ax in a threatening way and hit the switch, flooding the room with light.
Suzanne and a woman he didn’t know stood by the door to the railing, dressed all in black, with Henry on his knees in front of them, almost as if he’s been dealt a blow. Suzanne looked offended, as if he’d burst in on them in their own home. But the stranger hardly acknowledged his presence, stood there with arms crossed, oddly relaxed. Her hair was long and coiffed. She was dressed in an overcoat, dark slacks, and a long red scarf. Taller and older than Suzanne, she had a way of staring at him that made him concentrate on Henry instead.
“What the hell are you doing here?”
Their calm faced by a man with an ax baffled him, took some of the ire out of him, this delay between accusatory question and any response. Even Henry had composed himself, gone from a look almost of fear to a thin smile.
“Why don’t you go back to sleep, Saul,” Henry said, unmoving. “Why don’t you go back to bed and let us finish up. We won’t be long now.”
Finish up with what? Henry’s ritual humiliation? His usually perfect hair was mussed, his left eye twitching. Something had happened here, right before Saul had burst in. The condescension hit Saul hard, turned bewilderment and concern back into anger.