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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

In a separate document, I have listed the best, least intrusive approaches, which I realize may seem morbid, even though I consider it an absurd method of chronicling my days. I have also noted the rotation of cycles that has proven most effective. Although, given the choice, I would not recommend this approach, you become acclimated to it, like doing the chores or foraging for food.

After so much time, pain has become such a familiar and revisited friend that I wonder if I will notice him more now that I have stopped my regimen. Will an absence of pain be harder to get used to? I suspect that this concern will be forgotten amid so many other adjustments that must be made. For, having found so many ways to put it off, I believe that my transformation will be more radical than it might have been, that I might indeed become something like the moaning creature. Will I see the real stars then?

Sometimes, too, pain comes at you unexpectedly; you don’t have to generate it, don’t have to will it consciously upon yourself. It’s just there. The owl that has been my companion these thirty years died a week ago, without my being able to help, without knowing until too late. He had become an old owl, and although his eyes were still enormous and bright, his colors had faded, his camouflage tattered; he slept more and did not go out to hunt as often. I fed him mice by hand in his redoubt at the top of the ruined lighthouse.

I found him in the forest, after he had been missing for a few days, and I had finally gone out to search for him. From what I can reconstruct, he had become injured, perhaps from frailty or the onset of blindness, broken his wing, and settled on the forest floor. A fox or pair of foxes had probably gotten to him. He lay there splayed out in a mottled flurry of brown and dark red, eyes shut, head fallen to the side, all the life having left him.

My microscope had long since been abandoned in a corner of the lighthouse grounds, overtaken by mold, half buried there by the simple passage of years. I had no heart to take samples, to discover what I already knew: that, in the end, there was nothing a microscope could tell me about the owl that I had not learned from my many years of close interactions and observation.

What am I to say? That I do not miss him?

PART III
OCCULTING LIGHT

0011: GHOST BIRD

What kind of life was this, where you could read a letter from your own haunted twin? That you could live within the memories of another and think of them as real, a second skin, and yet so utterly false. This is who she had been. This is what she had thought, and how she had lived. Should that now be Ghost Bird’s life, too, her thoughts? Anger and awe warred within—and no one to push either emotion onto, except herself. She had to let them battle like a second heartbeat and trust that her reaction was not just the mirror reflecting what it saw. That even if she was a mistake, she had become a viable mistake—a mutation, not an anomaly like the moaning creature. Long-moldering bones trapped in the marshes.