Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
In a separate document, I have listed the best, least intrusive approaches, which I realize may seem morbid, even though I consider it an absurd method of chronicling my days. I have also noted the rotation of cycles that has proven most effective. Although, given the choice, I would not recommend this approach, you become acclimated to it, like doing the chores or foraging for food.
After so much time, pain has become such a familiar and revisited friend that I wonder if I will notice him more now that I have stopped my regimen. Will an absence of pain be harder to get used to? I suspect that this concern will be forgotten amid so many other adjustments that must be made. For, having found so many ways to put it off, I believe that my transformation will be more radical than it might have been, that I might indeed become something like the moaning creature. Will I see the real stars then?
Sometimes, too, pain comes at you unexpectedly; you don’t have to generate it, don’t have to will it consciously upon yourself. It’s just there. The owl that has been my companion these thirty years died a week ago, without my being able to help, without knowing until too late. He had become an old owl, and although his eyes were still enormous and bright, his colors had faded, his camouflage tattered; he slept more and did not go out to hunt as often. I fed him mice by hand in his redoubt at the top of the ruined lighthouse.
I found him in the forest, after he had been missing for a few days, and I had finally gone out to search for him. From what I can reconstruct, he had become injured, perhaps from frailty or the onset of blindness, broken his wing, and settled on the forest floor. A fox or pair of foxes had probably gotten to him. He lay there splayed out in a mottled flurry of brown and dark red, eyes shut, head fallen to the side, all the life having left him.
My microscope had long since been abandoned in a corner of the lighthouse grounds, overtaken by mold, half buried there by the simple passage of years. I had no heart to take samples, to discover what I already knew: that, in the end, there was nothing a microscope could tell me about the owl that I had not learned from my many years of close interactions and observation.
What am I to say? That I do not miss him?
PART III
OCCULTING LIGHT
0011: GHOST BIRD
What kind of life was this, where you could read a letter from your own haunted twin? That you could live within the memories of another and think of them as real, a second skin, and yet so utterly false. This is who she had been. This is what she had thought, and how she had lived. Should that now be Ghost Bird’s life, too, her thoughts? Anger and awe warred within—and no one to push either emotion onto, except herself. She had to let them battle like a second heartbeat and trust that her reaction was not just the mirror reflecting what it saw. That even if she was a mistake, she had become a viable mistake—a mutation, not an anomaly like the moaning creature. Long-moldering bones trapped in the marshes.