Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
A great deal of time has passed since I placed words on paper, and for so long I felt no urge to do so again. I have felt more acutely than ever that here on the island I should never be taken out of the moment. To be taken out of the moment is dangerous—that is when things sneak their way in and then there is no present moment to return to. Only very recently have I begun to feel something like a lack, or anything beyond the thought that I would in this place simply exist and live out whatever span was allotted to me. Neither have I had any interest in recounting, in setting down, in communicating in what has come to seem such a mundane way. Perhaps it’s no surprise, then, that I have started to write this several times, and that I abandoned three or four drafts of this … this document? This letter? This … whatever this is.
Perhaps, too, hesitance overtakes me because when I think of writing I glimpse the world I left behind. The world beyond, that when my thoughts drift toward it at all, is a hazy, indistinct sphere radiating a weak light, riddled through with discordant voices and images that cut across eyes and minds like a razor blade, and none of us able to even blink. It seems a myth, a kind of mythic tragedy, a lie, that I once lived there or that anyone lives there still. Someday the fish and the falcon, the fox and the owl, will tell tales, in their way, of this disembodied globe of light and what it contained, all the poison and all the grief that leaked out of it. If human language meant anything, I might even recount it to the waves or to the sky, but what’s the point?
Still, having decided to finally let the brightness take me, after holding out against it for so many years, I am giving it one more try. Who will read this? I don’t know, nor do I really care. Perhaps I am just writing for myself, that some further record exist of this journey, even if I can only tell the first part of a much longer story. But if someone does read it, know that I didn’t live here waiting for rescue, hoping for a thirteenth expedition. If the world beyond appears to have abandoned the entire idea of expeditions, perhaps that’s evidence of the sudden appearance of sanity. But the world beyond, or even the dangers of this one I live in, will be even less of a concern in a few days.
01: THE BRIGHTNESS
At first, there was always the island ahead of me, somewhere, along the coast, and my husband’s presence in the bread-crumb notes I thought I found along the way, that I hoped came from him. Under rocks, stabbed on branches, curling dead on the ground. They were all important to me, no matter which might be real and which nothing more than chance or coincidence. Making it to the island meant something to me then. I was still holding on to the idea of causality, of purpose as that word might be recognizable to the Southern Reach. But what if you discover that the price of purpose is to render invisible so many other things?