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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

On the way down, you searched for Dead Whitby, but he still wasn’t anywhere.

You may never know the truth.

But in what Whitby swore was Dead Whitby’s backpack, you found two curious items: a strange plant and a damaged cell phone.

0010: CONTROL

Control woke to a boot and a foot, just six inches from where he lay on his side under some blankets. The black tread of the army-issue boot was worn down in tired ridges like the map of a slope of hills. Dried mud and sand commingled there and in the sporadic black studs meant to provide a better grip. A dragonfly wing had been broken along the axis of that tread, pulverized into rounded panes and an emerald glitter. Smudges of grass, a smear of seaweed that had dried on the side of the boot.

The landscape struck him as evidence of a lack of care not reflected by the tidy stacking of provisions, the regular sweeping out of leaves and debris from the landing. Next to the boot: the pale brown sole of a muscular foot that seemed to belong to a different person, the toenails clipped, the big toe wrapped tight in fresh gauze with a hint of dried blood staining through.

Both boot and foot belonged to Grace Stevenson.

Above the rise of her foot, he could see she held the three weathered, torn pages he’d rescued from Whitby’s report. In her army fatigues, including a short-sleeved shirt, Grace looked thinner, and gray had appeared at her temples. She looked as if she had endured a lot in a short time. A pistol lay in a holster by her side, along with a knapsack.

He twisted onto his back, sat up, and shoved up against the wall catty-corner to her, the window between them. The raucous birds that had briefly woken him at dawn were quiet now, probably out foraging or doing whatever birds did. Could it be as late as noon? Ghost Bird lay curled up in a camo-patterned sleeping bag, had throughout the night made little jerking motions and sounds that reminded Control of his cat in the grip of some vision.

“Why the hell did you go through my pockets?” Somehow the accusatory tone abandoned the words as he said them, relieved to find his dad’s carving still in his jacket.

She ignored him, leafing through Whitby’s last words, lingering between a smile and a frown, intense but uncommitted. “This has not changed since the last time I saw it. It’s even more full of shit now … probably. Except back then the author was a crackpot. Singular. Now we’re all fucking crackpots.”

“Fuck?”

A quizzical look. “What’s wrong with ‘fuck’? Area X doesn’t give a crap if I swear.”

She continued to read and reread the pages, shaking her head at certain parts, while Control stared, still feeling possessive. He was more attached to those pages than he’d thought, afraid she might just ball them up and chuck them out the window.