Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
“What is this place?” Whitby asks, again. “Why are we here?” His voice giving away his stress.
You ignore him. You want to say, “This is where I grew up,” but he’s endured one shock too many already, and you still have to deal with Lowry, with the Southern Reach, when you get back. If you get back.
“That vine-strewn shadow there—that was my room,” you would tell him if you could. “My parents divorced when I was two. My dad left—he’s kind of a small-time crook—and my mom raised me, except I spent the winter holidays with him every year. Until I stayed with him for good because I couldn’t go home anymore. And he lied to me about the reason why until I was older, which was probably the right thing to do. And I’ve been wondering my whole life what it would be like to come back here, to this place. Wondered what I would feel, what I would do. Sometimes even imagined there would be some message, something my mom had had the foresight to put in a metal box or under a rock. Some sign, because even now I need a message, a sign.”
But there is nothing in the cottage, nothing you didn’t already know, and there’s the lighthouse at your back—laughing at you, saying, “I told you so.”
“Don’t worry, we’ll go home soon,” you say. “Just the lighthouse, and we’ll go home.” Saving the best for last, or the worst for last? How much of a childhood can be destroyed or twisted before the overlay replaces the memories?
You push past Whitby—abruptly—because you don’t want him to see that you’re upset, that Area X is closing in on you all over again.
The few remaining floorboards of the cottage creak and sigh, making a rough music. The birds chirp urgently in the bushes, chasing each other, spiraling up into the sky. It will rain soon, the horizon like a scowling forehead, a battering ram headed for the coast. Could they see it coming, even Henry? Was it visible? Did it sweep over them? All you could process as a child was that your mother was dead; it had taken you years to think of her death in other ways.
All you can see is the expression on Saul’s face the last time you saw him as a child—and your last long look at the forgotten coast through the dusty back window of the car as you turned off the dirt road onto a paved state road, and the distant ripple of the sea passed from view.
0007: THE LIGHTHOUSE KEEPER
Two freighters and a coast guard vessel sighted last night. Something bigger out on horizon—oil tanker? “There is the sea, vast and spacious, and there the ships go to and fro.” Western siren still not right—loose wire? Feeling a little sick, so visited doctor. Went on a hike late in the day. Sighted: a horned owl atop a tortoise, trying to eat it. Didn’t know what I was seeing. Disturbed me at first. Thought it was something odd with a feathery body and an armored stump. The owl looked up at me and just stared, didn’t fly away until I shooed it off the tortoise.