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Contents ( 50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

Lying there on his side, he could see the lighthouse in the distance. But as if she could tell his intent, Ghost Bird said, “We’re not going there. We’re going to the island.”

And just like that, he’d lost control.

Now, on their fourth day in Area X, Control followed Ghost Bird through the long grass, puzzled, confused, sick, tired—the nights so alive with insects it was hard to sleep against their roar and chitter. While in his thoughts, a vast, invisible blot had begun to form across the world outside of Area X, like water seeping from the bottom of a leaky glass.

Worse still, the gravitational pull Ghost Bird exerted over him, even as she was indifferent to him, even as they sometimes huddled together for warmth at night. The unexpected delicacy and delirium of that accidental touch. Yet her message to him, the moment he had crossed a kind of border and she’d moved away from him, had been unmistakable and absolute. So he’d retreated to thinking of himself as Control, from necessity, to try to regain some distance, some measure of the objective. To reimagine her in the interrogation room at the Southern Reach, and him watching her from behind the one-way glass.

“How can you be so cheerful?” he’d asked her, after she had noted their depleted food, water, in an energetic way, then pointed out a kind of sparrow she said was extinct in the wider world, an almost religious ecstasy animating her voice.

“Because I’m alive,” she’d replied. “Because I’m walking through wilderness on a beautiful day.” This with a sideways glance he took to mean that she wondered if he was holding up. One that made him realize that her goals might not be his, that they might converge only to diverge, and he had to be ready for that. Echoes of field assignments gone wrong. Of his mother saying, “The operational damage from an event can linger in the mind like a ghost.” While he wondered if even the more banal things she had said had a hidden meaning or agenda.

Freedom could take you farther from what you sought, not closer. Something he was learning out here, beyond any standard intel, in a wilderness he didn’t understand. About as prepared for Area X, he realized, as for Ghost Bird, and perhaps that was, in the end, the same thing. Because they existed alone together, walked a trail that threaded its way between reed-choked lakes that could be tar-black or as green as the reflected trees that congregated in islands among the reeds … and he was finally free to ask her anything he wanted to, but he didn’t. Because it didn’t really matter.

So, instead, he shoved his hand into his jacket pocket from time to time, clenched his fist around his father’s carving, taken from the mantel in the little house on the hill in Hedley. The smooth lines of it, the way the grain of the wood under the paint threatened a splinter, soothed him. A carving of a cat, chosen to remind him of long-lost Chorry, no doubt blissfully hunting rats among the bushes.