Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
The veteran comes outside.
“You’re right—she’s not a Realtor,” he tells you. “She got fired. She hasn’t had a job for more than a year.”
“That’s okay,” you say. “I’m not a long-haul trucker, either.”
Tragically, he asks if you want to go back inside and dance. No, you don’t want to dance. But it’s okay if he leans against the hippo with you to talk for a while. About nothing in particular. About the ordinary, everyday things that elude you.
The plant remains in the storage cathedral. Whitby’s mouse remains in his attic for the most part. The last few days before the twelfth expedition, the phone migrates to your desk as a secret memento. You don’t know whether you’re more concerned when it is with you or when it is out of your sight.
0027: THE LIGHTHOUSE KEEPER
Saul woke on his back beneath the lighthouse, covered in sand, Henry crumpled beside him. It was still night, the sky a deep, rich blue bleeding into black, but full of stars against that vast expanse. He must be dying, he knew, must be broken in a hundred places, but he didn’t feel broken. Instead, all he felt was a kind of restlessness, growing a hundredfold now and nothing else behind it. No agony from the fall, from the searing pain of what must be several broken bones. None of that. Was he in shock?
But still there was the rising brightness and the night staring down with thousands of glistening eyes, the comforting husk and hush of the surf, and as he turned on his side to face the sea, the faint dark shadows of night herons, with their distinctive raised crests, stabbing at the tiny silver fish writhing in the wet sand.
With a groan, anticipating a collapse that never came, Saul rose without a stagger or a swoon, a dreadful strength coursing through him. Even his shoulder felt fine. Uninjured, or so badly injured and disoriented that he was nearing the end. Whatever was coming into his head was being translated into words, his distress expressed as language, and he clamped down on it again, because he knew somehow that to let it out was to give in, and that he might not have much time left.
He looked up at the lantern room of the lighthouse, imagining again that fall. Something inside had saved him, protected him. By the time he’d hit the ground, he hadn’t been himself—the plummet become a descent so gentle, so light, that it’d been like a cocoon tenderly plummeting, kissing the sand. Come to rest as if locking into a position preordained for him.
When he looked over at Henry, Saul could see even in the dull darkness that the man was still alive, that distant stare as locked and fixed on him as the stars above. That stare coming to Saul from across the centuries, across vast, unconquerable distances. Beatific and yet deadly. A scruffy assassin. A fallen angel ravaged by time.