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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

You nod off. You come to. You nod off again. Then you hear something creeping low and soft across the tiles of the kitchen, just out of view. A kind of terrified lurching shudder burns through you. There’s a slow scuttle to the sound, so you can’t really identify it, get a sense of what has crept into your house. You don’t move for a very long time, waiting to hear more, not wanting to hear more. You think you might not ever get up, go to the kitchen, see what animal awaits you there. But it’s still moving, it’s still making noise, and you can’t sit there forever. You can’t just sit there.

So you get up, you brandish the ax, you walk to the kitchen counter, lean on tiptoe to peer at the kitchen floor, but whatever it is has nudged up against the left side, out of view. You’re going to have to walk around and confront it directly.

There, scuttling across the floor, blind and querulous, is the old cell phone—scrabbling and bulky, trying to get away from you. Or trying to burrow into the cabinets, to hide there. Except it isn’t moving now. It hasn’t moved the whole time you’ve been staring at it. You look at the phone in shock for so many moments. Maybe from the surprise of it or as a defense mechanism, all you can think is that your work has followed you home. All you can think of is the monstrous breach. Either in reality or in your mind.

With trembling hands, you retrieve the cell phone from the floor, ax held ready in your other hand. It feels warm, the melted nature of the leather against the phone creating the texture of skin. You get a metal box you use for tax receipts, toss them into a plastic bag, put the phone inside, lock it, put it on the kitchen counter. You resist the urge to toss the box into your backyard, or to drive with it to the river and fling it into the darkness.

Instead you fumble for a cigar from the humidor buried underneath some clothes in your bedroom. The cigar you pull out is dry and flaking, but you don’t care. You light it, go into your home office, shove the notes you’ve brought home into a plastic bag. Every unsupportable theory. Every crazed journal rant rescued from old expedition accounts. Every incomprehensible scrawling. Shove them in there with a vengeance, for some reason shouting at Lowry as you do because he’s peering into your thoughts on some mission of his own. You hiss at him. Stay the fuck away! Don’t come in here. Except he already has, is the only person screwed up enough, knowing what he must know, to do this to you.

There are notes you weren’t sure you remembered writing, that you couldn’t be sure had been there before. Were there too many notes? And if so, who has written the others? Did Whitby sneak into your office and create them, trying to help you? Forging your handwriting? You resist the urge to take the notes out of the bag, sort through them again, be pulled down by that horrible weight. You take the bag of crazy outside with a glass of red wine, stand there on the stone patio smoking while you turn on the grill even though a storm’s coming, even though you can feel the first raindrops, wait a minute or two, then with a snarl upend the bag onto the flames.