Contents ( 50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher

The light in that place was inescapable, so bright yet distant. It brought a rare clarity to the reeds and the mud and the water that mirrored and followed them in the canals. It was the light that made her feel as if she glided because it tricked her into losing track of her own steps. It was the light that kept replenishing the calm within her. The light explored and questioned everything in a way she wasn’t sure Control would understand, then retreated to allow what it touched to exist apart from it.
Perhaps it was the light that got in the way, too, for theirs was a kind of backtracking, stuttering progress, using a stick to prod the ground in front of them for treachery, the thick reeds forming clumps that at times were impenetrable. Once, a limpkin, grainy brown and almost invisible against the reeds, rose so near and so silent it startled her almost more than it did Control.
But eventually they reached the rag tied to the reeds, saw the yellowing cathedral beyond, stuck in the mud and sunk halfway.
“What the hell is that?” Control asked.
“It’s dead,” she said. “It can’t harm us.” Because Control continued to overreact to what she considered insufficient stimuli. Skittish, or damaged from some other experience entirely.
But she knew all too well what it was. Sunken into the middle were the remains of a hideous skull and a bleached and hardened mask of a face that stared sightless up at them, fringed with mold and lichen.
“The moaning creature,” she said. “The moaning creature we always heard at dusk.” That had chased the biologist across the reeds.
The flesh had sloughed off, runneled down the sides of the bones, vanished into the soil. What remained was a skeleton that looked uncannily like the confluence of a giant hog and a human being, a set of smaller ribs suspended from the larger like a macabre internal chandelier, and tibias that ended in peculiar nub-like bits of gristle scavenged by birds and coyotes and rats.
“It’s been here awhile,” Control said.
“Yes, it has.” Too long. Prickles of alarm made her scan the horizon for some intruder, as if the skeleton were a trap. Alive just eighteen months ago, and yet now in a state of advanced decay, the face plate all that saved it from being unidentifiable. Even if this creature, this transformation of the psychologist from what Control called “the last eleventh expedition,” had died right after the biologist had encountered it alive … the rate of decomposition was unnatural.
Control hadn’t caught on, though, so she decided not to share. He just kept pacing around the skeleton, staring at it.
“So this was a person, once,” he said, and then said it again when she didn’t respond.
“Possibly. It might also have been a failed double.” She didn’t think she was a failed double like this creature. She had purpose, free will.