Contents ( 50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
No Henry, no Suzanne that looked like them appeared on the lists of the S&SB members, no stray photos with members unidentified leaped out to reveal either of them. Prior investigations had tracked down the names and addresses of any member assigned to the forgotten coast, and exhaustive interviews had been conducted. The answers were the same: S&SB had been conducting standard research—the usual mix of the scientific and the preternatural. Anyone who knew anything else had been trapped inside and disappeared long before the first expedition stumbled through the corridor into Area X.
Worse, no further hint of Severance, Jack or Jackie, the latter also making herself scarce in the flesh, as if something new has caught her attention or she knows you want to question her, with each phone call fading into the backdrop, further subsumed by Central. So that you redouble your efforts to find her influence in the files, but if Lowry haunts you, Severance is the kind of ghost that’s too smart to materialize.
Once again you watch the video from the first expedition, again study the background, the things out of focus, at the lighthouse. Through a flickering time lapse and sequencing, you review a kind of evolution and devolution of the lighthouse from inception through the last photograph taken by an expedition.
To the point that Grace takes you aside one day and says, “This is enough. You need to run this agency. Other people can review these files.”
“What other people? What other people are you talking about?” you snap at her, and then instantly regret it.
But there are no “other people,” and time is running out. You have to remember that, on some level, the entire Southern Reach has become a long con, and if you forget that you’re not part of the solution, you’re part of the problem.
“Maybe you need time off, some rest,” Grace tells you. “Maybe you need to get some perspective.”
“You can’t have my job.”
“I do not want your fucking job.” She’s simmering, she’s about to boil over, and some part of you wants to see that, wants to know what Grace is like when she’s totally lost it. But if you push her to that, she’ll have lost you, too.
Later you go up to the rooftop with a bottle of bourbon, and Grace is already there, in one of the deck chairs. The Southern Reach building is nothing but a big, ponderous ship, and you don’t know where the helm has gotten to, can’t even lash yourself to the wheel.
“I don’t mean anything I’m saying most of the time,” you tell her. “Just remember I don’t mean anything I say.”
A dismissive sound, but also arms unfolding, grim frown loosening up. “This place is a fucking nuthouse.” Grace rarely swears anywhere but on the roof.
“A nut job.” Paraphrasing Cheney’s latest puzzled, hurt soliloquy about lack of good data: “Even a falling acorn tells us something about where it fell from, Newton would tell us, wouldn’t you say. There’d be a trajectory, for heck’s sake, and then you’d backtrack, even if theoretical, find some point on the tree that acorn came from, or near enough.” You can’t say you’ve ever understood more than a third of his ellipticals.