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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

A lot of ifs. A lot of leaps. A lot more research on Grace’s plate.

Yet it’s enough for you to begin to have an idea of why Lowry’s new ally is Jackie Severance.

0021: THE LIGHTHOUSE KEEPER

… went back to the garden, [illegible], and kept the ax with me just in case. Unlikely, with black bears, but not unknown. Scrub jay, catbird, house sparrow, most humble of God’s creatures. I sat there and fed it bread crumbs, for it was a scrawny thing and in need. I shall bring them forth, they said …

Saul stayed on to the bitter end at the village bar, not sure if it was because he wanted to test Brad’s resolve or because he didn’t want to walk outside only to encounter Henry. Or because he was sad Charlie’d had to leave.

So he knocked back a couple more beers, put down the way the room swayed to the booze, and ordered some oysters and fish-and-chips. He had a hunger in him that was rare. Food didn’t interest him that much, but tonight he felt ravenous. The oysters were served in their own salt water, newly shucked and steamed, and he didn’t bother dipping them in sauce but just gulped them down. Then he tore into the fish, which came away in thick flakes in his hands, the heat rising along with the saliva-inducing smell of the grease. The wedge fries he drowned in ketchup and they soon joined the fish. He was frantic at his feast, aware he was gobbling, stuffing his face, his hands moving at a frenzied, unnatural pace, but he couldn’t stop.

He ordered another fish-and-chips. He ordered another round of oysters. Another beer.

After the last set, the musicians stuck around, but most of the others left, including Trudi. The black sea and sky outside the window peered in against the glass, smudged faces and the bottles of booze behind the bar reflected back at Saul. Now that it was just Old Jim at the piano, with the other musicians goofing around, and so few people he could just about hear the pulse of the sea again, could recognize it as a subtle message in the background. Or something was pulsing in his head. His sense of smell had intensified, the rotting sweetness that must be coming from the kitchen was like a perfume being sprayed in clouds throughout the room. A stitching beat beneath the striking of the piano keys twinned itself to the pulse.

Mundane details struck him as momentous. The worm of gray-white ash curling out of an ashtray on the table next to him, the individual flakes still fluming, fluttering, and at the buried core a pinprick of throbbing red that pulsed at him like a brake light. Beside the ash, the smudge of an old greasy thumbprint, immortalized by the gunk that had collected on the ashtray from hundreds of cigarette immolations. Beside the thumbprint, an attempt to etch something into the side of the ashtray, an effort that had ended after J and A.