Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
A lot of ifs. A lot of leaps. A lot more research on Grace’s plate.
Yet it’s enough for you to begin to have an idea of why Lowry’s new ally is Jackie Severance.
0021: THE LIGHTHOUSE KEEPER
… went back to the garden, [illegible], and kept the ax with me just in case. Unlikely, with black bears, but not unknown. Scrub jay, catbird, house sparrow, most humble of God’s creatures. I sat there and fed it bread crumbs, for it was a scrawny thing and in need. I shall bring them forth, they said …
Saul stayed on to the bitter end at the village bar, not sure if it was because he wanted to test Brad’s resolve or because he didn’t want to walk outside only to encounter Henry. Or because he was sad Charlie’d had to leave.
So he knocked back a couple more beers, put down the way the room swayed to the booze, and ordered some oysters and fish-and-chips. He had a hunger in him that was rare. Food didn’t interest him that much, but tonight he felt ravenous. The oysters were served in their own salt water, newly shucked and steamed, and he didn’t bother dipping them in sauce but just gulped them down. Then he tore into the fish, which came away in thick flakes in his hands, the heat rising along with the saliva-inducing smell of the grease. The wedge fries he drowned in ketchup and they soon joined the fish. He was frantic at his feast, aware he was gobbling, stuffing his face, his hands moving at a frenzied, unnatural pace, but he couldn’t stop.
He ordered another fish-and-chips. He ordered another round of oysters. Another beer.
After the last set, the musicians stuck around, but most of the others left, including Trudi. The black sea and sky outside the window peered in against the glass, smudged faces and the bottles of booze behind the bar reflected back at Saul. Now that it was just Old Jim at the piano, with the other musicians goofing around, and so few people he could just about hear the pulse of the sea again, could recognize it as a subtle message in the background. Or something was pulsing in his head. His sense of smell had intensified, the rotting sweetness that must be coming from the kitchen was like a perfume being sprayed in clouds throughout the room. A stitching beat beneath the striking of the piano keys twinned itself to the pulse.
Mundane details struck him as momentous. The worm of gray-white ash curling out of an ashtray on the table next to him, the individual flakes still fluming, fluttering, and at the buried core a pinprick of throbbing red that pulsed at him like a brake light. Beside the ash, the smudge of an old greasy thumbprint, immortalized by the gunk that had collected on the ashtray from hundreds of cigarette immolations. Beside the thumbprint, an attempt to etch something into the side of the ashtray, an effort that had ended after J and A.