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Contents ( 50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

The whole time Saul stared at Henry, the edges of the room had been growing darker and darker, and the sickly sweet smell intensified, and everyone around Henry grew more and more insubstantial—vague, unknowable silhouettes—and all the light came to Henry and gathered around him, and spilled back out from him.

A kind of vertigo washed over Saul, as if a vast pit had opened up beneath him and he was suspended above it, about to fall. There came back all of the old symptoms he’d thought were gone, as if they’d just been hiding. There was a comet dripping fire through his head, trailing flame down his back.

While the band kept playing through the darkness, their sound curdling into a song sung far too slow, and before they could vanish into a darkly glinting spiral, before everything not-Henry could disappear, Saul gripped the table with both hands and looked away.

The chatter, the rush and realignment of conversations came back, and the light came back, and the band sounded normal again, and Charlie was talking to him like nothing had happened, Saul’s sense of relief so palpable the blood within him was rushing too hard and he felt faint.

When, after a stabilizing minute, he dared sneak a glance toward where Henry had stood, the man had vanished and someone else stood in his place. Someone Saul didn’t know, who raised his beer to Saul awkwardly so that he realized he’d been staring across the room for too long.

“Did you hear what I said?” Charlie, in a voice loud enough to cut through the band. “Are you okay?” Reaching out to touch Saul’s wrist, which meant he was concerned and that Saul had been acting odd. Saul smiled and nodded.

The song ended, and Charlie said, “It wasn’t the stuff about the boats and the island, was it? I wasn’t trying to worry you.”

“No, not that. Nothing like that. I’m fine.” Touched, because it was the kind of thing that might’ve secretly bothered Charlie if their roles had been reversed.

“And you’d tell me if you were feeling sick again.”

“Of course I would.” Half lying, trying to process what he’d just experienced. And, serious, struck by some form of premonition: “But, Charlie, I hate to say it—you should probably leave now, or you’ll be late.”

Charlie took that in stride, already half off his stool because he didn’t like the music anyway.

“See ya tomorrow sometime, then,” Charlie said, giving him a wink and a long last stare that wasn’t entirely innocent.

Somehow Charlie looked so good in that moment, putting on his jacket. Saul clasped him tight before he could get away. The weight of the man in his arms. The feel of Charlie’s rough shave that he loved so much. The tart surprise of Charlie’s lip balm against his cheek. Held him for an extra moment, trying to preserve all of it, as a bulwark against whatever had just happened. Then, too soon, Charlie was gone, out the door, into the night, headed for the boat.