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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

“They thought that so long as I didn’t know their names, I couldn’t call the police. Peering out from behind the curtains like ghosts. There was so much fail in that, not that I felt good about kicking them out. Except I have to sell the place—I’m not running a charity. I give to charities, sure, but why do they have homeless shelters anyway? And if I let them stay then someone else might get the same idea. Turns out the police had a file on them, so I made the right decision.”

Waiting there back on your desk at the Southern Reach you already have the files of candidates for a twelfth expedition. Right on top is the most promising, to your mind: an antisocial biologist whose husband went on the last eleventh.

0018: THE LIGHTHOUSE KEEPER

Secured the lighthouse. Worked on the [illegible]. Fixed things. And shall cast them into a furnace of fire: there shall be wailing and gnashing of teeth. Came then the crying call of a curlew, and at dawn, too, I heard the hooting of an owl, the yap of foxes. Just a little ways up from the lighthouse, where I strayed for a bit, a bear cub poked its head out of the underbrush, looking around like any child might. And the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive.

By the time Saul made it to the village bar, everyone had already crammed inside, anticipating music by a few locals who called themselves the Monkey’s Elbow. The deck, with its great view of the darkening ocean, was empty—it was too cold, for one thing—and he hurried inside with anticipation. He’d felt better with each day since the hallucination on the beach, and no one from the Light Brigade had returned to plague him. His temperature had receded, along with the pressure in his head, and with it the urge to burden Charlie with his problems. He hadn’t dreamed for three nights. Even his hearing was fine, the moment his ears had popped like getting a jolt to his system: more energetic in every way. So everything seemed normal, as if he’d worried over nothing—and all he missed was the familiar sight of Gloria coming down the beach toward the lighthouse, or climbing on the rocks, or loitering near the shed.

Charlie had even promised to meet him at the bar for a short while before he went out night fishing again; despite the rough schedule, he seemed happy to be making money, but they’d hardly seen each other in several days.

Old Jim, with his ruddy beacon of a face and fuzzy white mutton-chop sideburns, had commandeered the rickety upright piano in the far corner of the main room. Monkey’s Elbow was warming up around him, a discordant ramble of violin, accordion, acoustic guitar, and tambourine. The piano, a sea salvage, had been restored to its former undrowned glory—mother-of-pearl inlay preserved on the lid—but still retained a wheezy-tinny tone from its baptism, “sagging and soggy” on some of the keys, according to Old Jim.