Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
“They thought that so long as I didn’t know their names, I couldn’t call the police. Peering out from behind the curtains like ghosts. There was so much fail in that, not that I felt good about kicking them out. Except I have to sell the place—I’m not running a charity. I give to charities, sure, but why do they have homeless shelters anyway? And if I let them stay then someone else might get the same idea. Turns out the police had a file on them, so I made the right decision.”
Waiting there back on your desk at the Southern Reach you already have the files of candidates for a twelfth expedition. Right on top is the most promising, to your mind: an antisocial biologist whose husband went on the last eleventh.
0018: THE LIGHTHOUSE KEEPER
Secured the lighthouse. Worked on the [illegible]. Fixed things. And shall cast them into a furnace of fire: there shall be wailing and gnashing of teeth. Came then the crying call of a curlew, and at dawn, too, I heard the hooting of an owl, the yap of foxes. Just a little ways up from the lighthouse, where I strayed for a bit, a bear cub poked its head out of the underbrush, looking around like any child might. And the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive.
By the time Saul made it to the village bar, everyone had already crammed inside, anticipating music by a few locals who called themselves the Monkey’s Elbow. The deck, with its great view of the darkening ocean, was empty—it was too cold, for one thing—and he hurried inside with anticipation. He’d felt better with each day since the hallucination on the beach, and no one from the Light Brigade had returned to plague him. His temperature had receded, along with the pressure in his head, and with it the urge to burden Charlie with his problems. He hadn’t dreamed for three nights. Even his hearing was fine, the moment his ears had popped like getting a jolt to his system: more energetic in every way. So everything seemed normal, as if he’d worried over nothing—and all he missed was the familiar sight of Gloria coming down the beach toward the lighthouse, or climbing on the rocks, or loitering near the shed.
Charlie had even promised to meet him at the bar for a short while before he went out night fishing again; despite the rough schedule, he seemed happy to be making money, but they’d hardly seen each other in several days.
Old Jim, with his ruddy beacon of a face and fuzzy white mutton-chop sideburns, had commandeered the rickety upright piano in the far corner of the main room. Monkey’s Elbow was warming up around him, a discordant ramble of violin, accordion, acoustic guitar, and tambourine. The piano, a sea salvage, had been restored to its former undrowned glory—mother-of-pearl inlay preserved on the lid—but still retained a wheezy-tinny tone from its baptism, “sagging and soggy” on some of the keys, according to Old Jim.