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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

Whitby has draped a little white towel across his left forearm; it is monogrammed with a large cursive W in gold thread. Brought from home? He pinches the towel from his forearm and, using a single corner, delicately daubs the top of the mouse’s head while its tiny black eyes stare off into the distance. There’s a kind of febrile extremity of care here, as Whitby proceeds to wipe off one pink-clawed paw and then the other, before moving to the back paws and the thin tail. Whitby’s hand is so pale and small that there is a sort of symmetry on display, an absurd yet somehow touching suggestion of a shared ancestry.

It has been four months since the last member of the last eleventh expedition died of cancer, six weeks since you had them exhumed. It has been more than two years since you came back across the border with Whitby. Over the past seven or eight months, you have had a sense of Whitby recovering—fewer transfer requests, more engagement in status meetings, a revival of self-interest in his “combined theories document,” which he now calls “a thesis on terroir,” evoking a “comprehensive ecosystem” approach based on an advanced theory of wine production. There has been nothing in the execution of his duties to indicate anything more than his usual eccentricity. Even Cheney has, grudgingly, admitted this, and you don’t care that the man often uses Whitby as a wedge against you now. You don’t care about reasons so long as it brings Whitby back closer to the center of things.

“What do you have there, Whitby?” Breaking the silence is sudden and intrusive. Nothing you say will sound like anything other than an adult talking to a child, but Whitby’s put you in that position.

Whitby stops washing and drying the mouse, throws the towel over his left shoulder, stares at the mouse, examining it as if there might still be a spot of dirt here or there.

“A mouse,” he says, as if it should be obvious.

“Where did you find her?”

“Him. In the attic. I found him in the attic.” His tone like someone about to be reprimanded, but defiant, too.

“Oh—at home?” Bringing the safety of home to the dangerous place, the workplace, in physical form. You’re trying to suppress the psychologist in you, not overanalyze, but it’s difficult.

“In the attic.”

“Why did you bring him out here?”

“To wash him.”

You don’t mean for it to seem like an interrogation, but you’re sure it does. Is this a bad thing or a good thing in the progression of Whitby’s recovery? There is no base score assigned to owning a mouse or washing a mouse that can confer an automatic rating of fit or unfit for duty.

“You couldn’t wash him inside?”

Whitby gives you an upturned sideways glance. You’re still stooping. He’s still hunched. “That water’s contaminated.”

“Contaminated.” An interesting choice of words. “But you use it, don’t you?”

“Yes, I do …” Relenting, giving in a little, relaxing so that you’re less concerned he’s going to strangle the mouse by accident. “But I thought maybe he’d like to be outside for a while. It’s a nice day.”