Back Written From the Heart Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. By Trisha Ashley
  4. Dedication
  5. Praise for Trisha Ashley:
  6. Acknowledgements
  7. Foreword
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Twenty
  28. Twenty-One
  29. Twenty-Two
  30. Twenty-Three
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. Thirty
  38. Thirty-One
  39. Thirty-Two
  40. Tina’s Top Tips for New Writers
  41. Tina’s Espresso Ice Cream
  42. Sergei Popov’s Russian Blinis
  43. Linny’s Lebanese Baba Ganoush
  44. Read More
  45. 1
  46. 2
  47. The Little Teashop of Lost and Found
  48. A Leap of Faith
  49. A Good Heart is Hard to Find
  50. Did you love this book?

We were just joking. She wouldn’t actually really have a fling with him, even if she had the opportunity, because not only was she my best friend, she’d always been totally faithful to Tershie. Anyway, Sergei had met her a couple of times in Lemonia with me and there was no sexual chemistry that I could see, even though he does like bosomy brunettes.

I had been mulling over the way all the midlist authors were being dropped by the big publishing houses, and I thought there might be a couple of drawbacks they hadn’t realized.

For instance, what happened when the old bestselling novelists (like Hereward Brunswick, who gave Miracle her nickname and is still her star author client) died or hung up their laptops? I mean, most novelists worked up to bestsellerdom over a few years; they didn’t just spring fully formed out of nowhere.

And although a few of the one-hit wonders would go on to develop into good authors, most of them would probably vanish, because no matter how huge their marketing budget, if the actual books were crap the book-buying public were not going to be blowing their money on the next one, were they?

Still, who cared what I thought? Certainly not Tim the Suit.

Or, it seemed, Miracle.

NOVELTINA LITERARY AND CRITICAL AGENCY

Mudlark Cottage, The Harbour, Shrimphaven

Dear Mr Snaith,

Thank you for your letter. I am sorry that you don’t feel you have received good value for your money, as I have many testimonials from other authors thanking me for my sage advice. However, I have still spent a considerable amount of time working on your manuscript and so not only will I not be returning your cheque, but I enclose a bill for the extra 200,000 words.

With regard to your comments on switching genres several times within a novel, yes, there are indeed several famous authors who have done it – and that is the point: they are famous, they have made their name, and simply because of that they will be published and their books read whatever they write. When you are equally famous you can do the same, but until that glorious day dawns I suggest you try and limit yourself to one genre.

Now, a word of warning about these ‘small publishing houses’ that you mentioned intending to target with your magnum opus: they are all vanity publishers, and you will be expected to contribute financially if you wish to see your book in print. Non-vanity publishers are so inundated with unsolicited manuscripts that they have no need to advertise for more!

I hope this timely word of warning will be helpful to you, and I look forward to receiving your cheque for £300.

Yours sincerely,

Tina Devino

Six

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