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Chapters (50)
  1. Cover
  2. About the Author
  3. By Trisha Ashley
  4. Dedication
  5. Praise for Trisha Ashley:
  6. Acknowledgements
  7. Foreword
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Twenty
  28. Twenty-One
  29. Twenty-Two
  30. Twenty-Three
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. Thirty
  38. Thirty-One
  39. Thirty-Two
  40. Tina’s Top Tips for New Writers
  41. Tina’s Espresso Ice Cream
  42. Sergei Popov’s Russian Blinis
  43. Linny’s Lebanese Baba Ganoush
  44. Read More
  45. 1
  46. 2
  47. The Little Teashop of Lost and Found
  48. A Leap of Faith
  49. A Good Heart is Hard to Find
  50. Did you love this book?

Despite all that, I had to crack on with my new novel, Dark, Passionate Earth, now I’d mastered the basics of the new computer. I simply had to make it big with this one. I felt I couldn’t go on scrimping and saving for the rest of my life, and despite my policy of attending every literary event I could beg, borrow or steal a ticket for, hovering on the fringes, hoping that some of the magic fairy dust of Instant Bestsellerdom would rub off on my wings, I didn’t seem to be getting any further.

Salubrious Press would probably give my next book a publicity budget of about a fiver, as usual, whereas if I were a bestselling novelist they’d pour thousands into it, when it would sell anyway. But so it is in the world of writing: I mean, the people who win huge book prizes are usually bestsellers who are already so loaded they don’t actually need the money … and come to that, they’re so ungrateful, too. If they win the Women’s Prize for Fiction, half the time they say they don’t see themselves as a woman novelist, or, if the award is the Romantic Novel of the Year, they say they’re not a romantic novelist at all. Though they still pocket the cheque in front of hundreds of women who would admit to being anything for a bit of publicity and a fat cheque, and pardon me for the sour grapes but my cash flow had been more of a thin gluey trickle lately.

Then one morning shortly after my signing, bright and early, I had a phone call from a friend in publishing and she said, ‘Don’t look now, but your editor at Salubrious Press has just decided to “resign” and she’s being replaced by a “suit”!’

‘But Ruperta can’t go,’ I said incredulously. ‘She loves my books and she believes in me, and I know I haven’t made Salubrious much money yet, although I sell more hardbacks than most of their literary novelists, so you can’t really call me a midlist author, but I’m sure this next one will be a big breakthrough novel – and what do you mean, “suit”?’

‘Tina, Ruperta’s being replaced by a man from the marketing department, so cost-cutting might be on the agenda and midlist heads will definitely roll – and maybe one or two others,’ she added hastily, but I wasn’t fooled and I could see she thought I was for the chop.