Back Written From the Heart
Chapters (50)
  1. Cover
  2. About the Author
  3. By Trisha Ashley
  4. Dedication
  5. Praise for Trisha Ashley:
  6. Acknowledgements
  7. Foreword
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Twenty
  28. Twenty-One
  29. Twenty-Two
  30. Twenty-Three
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. Thirty
  38. Thirty-One
  39. Thirty-Two
  40. Tina’s Top Tips for New Writers
  41. Tina’s Espresso Ice Cream
  42. Sergei Popov’s Russian Blinis
  43. Linny’s Lebanese Baba Ganoush
  44. Read More
  45. 1
  46. 2
  47. The Little Teashop of Lost and Found
  48. A Leap of Faith
  49. A Good Heart is Hard to Find
  50. Did you love this book?

‘But you’re so much better now that you really don’t need to think about that kind of thing—’ I began.

‘Yes, and I’m also twenty years older than you are, so the chances are I’ll die first, one way or the other, aren’t they?’

This seemed to be a rhetorical question, so I didn’t point out that life was a lottery and you never knew when your number would be up. The Grim Reaper had his random moments.

‘I want to make some provision for you, but to be fair to Nat as well.’

I have a tendency to live in the moment so I’d never given the future a lot of thought until recently, but I’d vaguely assumed that Julian’s only son by his long-ago marriage would inherit everything at some nebulous future date. I’d been building up a little nest egg from my wages and the occasional prize or commission, but it had stayed little because I so often broke into it to add to my magpie’s shiny store of Antique glass that was stashed away in one of the outbuildings.

I didn’t have a lot of outgoings, because the cottage was Julian’s, as was the business. I was still an employee, though I took design commissions of my own sometimes, too, if they were to be made elsewhere.

‘You’ve always been fair to me, Julian,’ I assured him. ‘But Nat is your only son, so naturally he should inherit everything.’

Nat had followed in his father’s footsteps and worked with him in the studio, until my arrival on the scene had led to an estrangement between them. I felt guilty about that and over the years I’d done my best to heal the rift.

Julian had overheard Nat accusing me of being a gold-digger, muscling my way into the workshop by sleeping with the boss, and he’d told Nat that if he couldn’t accept the situation in a civilized manner, he’d have to go elsewhere. The upshot had been that he’d found Nat a job in London in a friend’s stained-glass workshop and he’d made his life down there ever since.

I don’t think the problem was ever really about my relationship with his father, who’d been a widower for several years when we met, it was Nat’s realization that although he was a great craftsman, he hadn’t got a spark of originality when it came to designing windows and installations … and I had.

‘You haven’t thought it through,’ Julian told me, recalling my wandering mind. ‘The cottage has been your home for years and the business is becoming as much about you now, as me.’